V-A-C Foundation
Foundation / Organization

V-A-C Foundation, founded in Moscow in 2009 by Leonid Mikhelson and under the direction of Teresa Iarocci Mavica, is dedicated to the development and international presentation of Russian contemporary culture – across a multitude of forms and within the framework of a joint exhibition, educational, and publishing programme. V-A-C Foundation considers artistic production as central to its activity and essential for understanding contemporary cultural processes and stimulating new answers to its challenges. The opportunities V-A-C Foundation provides, to engage with and interrogate international cultural practices, aim to expand the platform for homegrown talent and encourage an independent artistic language. As a key speaker for contemporary Russia, V-A-C Foundation establishes new cross-cultural dialogues and incites an exchange of ideas through new collaborations and alternative settings for bringing different artistic practices together within a single vision for arts and culture.

V-A-C Collection is a constantly developing body of works including sculptures, paintings and photographs from leading, internationally recognized artists such as Francis Bacon, Alighiero e Boetti, Liz Deschenes, Natalia Goncharova, Wade Guyton, Wassily Kandinsky, Lucy McKenzie, Amedeo Modigliani, Sigmar Polke to Mike Nelson, James Richards, Gerhard Richter, Bridget Riley, Egon Schiele, Dayanita Singh, and Christopher Wool.

VAC Foundation

V-A-C Foundation
Foundation / Organization

V-A-C Foundation, founded in Moscow in 2009 by Leonid Mikhelson and under the direction of Teresa Iarocci Mavica, is dedicated to the development and international presentation of Russian contemporary culture – across a multitude of forms and within the framework of a joint exhibition, educational, and publishing programme. V-A-C Foundation considers artistic production as central to its activity and essential for understanding contemporary cultural processes and stimulating new answers to its challenges. The opportunities V-A-C Foundation provides, to engage with and interrogate international cultural practices, aim to expand the platform for homegrown talent and encourage an independent artistic language. As a key speaker for contemporary Russia, V-A-C Foundation establishes new cross-cultural dialogues and incites an exchange of ideas through new collaborations and alternative settings for bringing different artistic practices together within a single vision for arts and culture.

V-A-C Collection is a constantly developing body of works including sculptures, paintings and photographs from leading, internationally recognized artists such as Francis Bacon, Alighiero e Boetti, Liz Deschenes, Natalia Goncharova, Wade Guyton, Wassily Kandinsky, Lucy McKenzie, Amedeo Modigliani, Sigmar Polke to Mike Nelson, James Richards, Gerhard Richter, Bridget Riley, Egon Schiele, Dayanita Singh, and Christopher Wool.

VAC Foundation

  • Rodrigo Morales: 91 East
    Jun 1 – Aug 11, 2024
    GCAC / Grand Central Art Center
    Santa Ana, USA
    In the 1980s, a mere 234 warehouses dotted the landscape of the Inland Empire. Today, over 4,000 logistic centers have been implanted across the region in a rapid movement to bring commerce to the region. Once identified by its untouched land, the area has become enveloped by the sprawling network of warehouses that define the region’s skyline. As this part of Southern California quickly becomes the backbone of America’s road-based supply chain, it simultaneously introduces many repercussions to the daily lives of communities that call the Inland Empire home. (more…)
  • Mani Mazinani and Sanaz Mazinani: Dastgāh
    Jun 4 – Oct 31, 2024
    Evergreen Brick Works
    Toronto, Canada
    How do you listen? What do you hear? Nestled in the Don River ravines amidst urban trails and the Don Valley Parkway, Dastgāh is a sound sculpture that asks visitors to open their ears and listen differently. Created by the brother and sister duo Mani Mazinani and Sanaz Mazinani, the instrument takes its title from the Farsi term “dastgāh,” and can be literally translated as a “hand” (dast) and “gāh” (way) or “set of directions,” a modal system that serves as the foundation for composition and improvisation in Iranian music. (more…)
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