Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. (more…)
I choose photography as a medium because I feel a profound need to preserve moments and this feeling leads me to shoot lots of pictures everyday. When I ‘see’ a picture I have to set up a little setting and shoot it right away. It’s like I need to do it otherwise I feel some kind of loss and sadness.
If I don’t have any handy subject, I may frame my hands or I may shoot a self-portrait.
I find my inspiration in ancient and contemporary art, movies and music. I like to look for the mysterious and weird side of everyday life.
I first experimented with photography when I was 17. I found an old film camera, a Yashica 108, at my cousin’s place. I asked my boyfriend at the time (who was a photographer) to teach me how to make it work. He refused (yes, he was a jerk) so I had to learn by myself. It all came pretty natural from there. I continued my law studies but kept practicing with film and digital photography. Only recently I understood my true passions are photography and filmmaking. At the moment I’m working with social networks and I’m on a short movie as a set designer. I will be featured on Sukeban Magazine in December.
Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. (more…)
Once again we arrive at the end of another year. 2021 was a year replete with contradictions and conflict, tension and turmoil. Two years since the start of the pandemic, a return to normal eludes us.
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As of Friday, February 25, 2022, The Calvert Journal ceased publication until further notice. At a time when Russian acts of war are being committed in Ukraine, we cannot in good conscience continue our work covering culture and the arts like business as usual. (more…)
In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)
Born on May 1, 1968 in Bordeaux, France, Alain Laboile is a photographer and father of six. In 2004, as he needed to put together a portfolio of his work as a sculptor, he acquired a camera, and thus developed a taste for macrophotography (more…)
Flavio-Shiró is a cult artist, a painter’s painter. His work defies categorization or association with any artistic group or movement. For more than six decades, his work has simply been modern.
The exhibition Belgium-Argentina: Transatlantic Modernisms, 1910–1958, focusses on the artistic connections between Belgium and Argentina in the first half of the 20th century when numerous exchanges took place, driven by migration and travel. (more…)
How is technological innovation dependent on raw materials? This question is center-stage in the exhibition Charging Myths by On-Trade-Off. This artists-collective traces the origins of lithium by starting from Manono, Democratic Republic of the Congo. (more…)