From the Black Sea, in foggy weather, we navigate along the Bosphorus towards the Golden Horn. From one side of the strait to the other, white marble palaces appear as if emerging from a dream. (more…)
William Eugene Smith was born in 1918 in Wichita, Kansas. He took his first photographs at the age of 15 for two local newspapers. In 1936, Smith entered Notre Dame University in Wichita, where a special photographic scholarship was created for him. A year later he left the university and went to New York City, and after studying with Helene Sanders at the New York Institute of Photography. In 1937, he began working for News-Week (later Newsweek). He was fired for refusing to use medium-format cameras and joined the Black Star agency as a freelancer.
Smith worked as a war correspondent for Flying magazine (1943-44), and a year later for LIFE. He followed the island-hopping American offensive against Japan and suffered severe injuries while simulating battle conditions for Parade, which required him to undergo surgery for the next two years.
Once recuperated, Eugene Smith worked for LIFE again between 1947 and 1955, before resigning to join Magnum as an associate. In 1957, he became a full member of Magnum. Smith was fanatically dedicated to his mission as a photographer. Because of this dedication, he was often regarded by editors as ‘troublesome’.
A year after he moved to Tucson, to teach at the University of Arizona, Smith died of a stroke. His archives are held at the Center for Creative Photography in Tucson, Arizona.
Today, Smith’s legacy lives on through the W. Eugene Smith Fund to promote ‘humanistic photography’, founded in 1980, which awards photographers for exceptional accomplishments in the field.
From the Black Sea, in foggy weather, we navigate along the Bosphorus towards the Golden Horn. From one side of the strait to the other, white marble palaces appear as if emerging from a dream. (more…)
“History of art is a history of great things neglected and ignored and mediocre things being admired. At different times things are different. The history of photography is a history of changes.” –Saul Leiter (more…)
This comprehensive exhibition brings together rarely seen works from two of Robert Rauschenberg’s most innovative series. For a period of 15 years, Rauschenberg made several trips to Japan where he created ceramic artworks using a newly developed technique (more…)
We have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty.
The Mostra de Arte da Juventude (MAJ – Youth Art Show) is an initiative that has been held at Sesc Ribeirão Preto on a regular basis for the last 32 years, since 1989. It was created within the municipal context, in Ribeirão Preto (São Paulo), a city located inland, with the aim of lending visibility to the production of young artists (more…)
On the horizon of the district between old, handmade fences and the sky, you can see the newly built glass skyscrapers in the bright light of the coastal center of the city, as if portending future innovations of Bayil. (more…)
Born in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.
Since 2002, the Otolith Group (Anjalika Sagar, b. 1968, London; and Kodwo Eshun, b. 1966, London) has produced films, audio works, installations, exhibitions, and texts informed by extensive research, decolonial thinking and transcultural friendship. (more…)