Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
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Pedro G. Romero
WKV Stuttgart
Museum / Stuttgart
The Württembergischer Kunstverein, founded in 1827 and situated in the heart of Stuttgart at Schlossplatz, is one of Germany’s largest art associations boasting nearly 3,000 members, over 1,700 square meters of exhibition and event space, workshops, and a studio house. With a program oriented to both local and global audiences, repeatedly exploring new and unusual forms of presentation, conveyance, and participation, the Kunstverein enjoys renown on a broad international level.
The Kunstverein is conceived as a place for the open, and also controversial, investigation of the manifold methods and practices found in contemporary art, including wide-ranging sociopolitical fields of reference. Of equal importance are exhibition and discourse, art and theory, research and production. Found here is a space of agency that extends beyond the simple viewing of art, a space where art and the relations between art, artists, the institution, and the public are subject to continual renegotiation: through conversations, debates, workshops, or workgroups, but also facilitated by access to books, journals, and other materials and infrastructures. Counting among these infrastructures are, not least, the spatial premises of the Kunstverein itself, which are made available to the public for outside meetings and other means of articulation.
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Pedro G. Romero
Authored Articles
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Samakaalik / Navjot AltafNov 3, 2019 – Feb 16, 2020
Navjot Altaf’s exhibition represents a new chapter in an investigation into the relationship between artistic practice and ecologist thinking, and reflects on the cultural sovereignty of indigenous populations.
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Bruce Conner: BreakawayNov 26, 2019 – Feb 22, 2020
Following presentations of Bruce Conner’s films such as Crossroads (1976) in June 2015, A Movie (1958) in May 2017, and Easter Morning (2008) in Naples, January 2018, Thomas Dane Gallery introduces Breakaway (1966) (more…)
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Darkest HourBrexit and the British youth
Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum nearly three years ago (more…)
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Art Now / Sophia Al-MariaSep 20, 2019 – Feb 23, 2020
Drawing on personal heritage and fictional future projections, Sophia Al-Maria’s protagonists reflect on the narratives and languages they have inherited as children of various colonial legacies.
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The Redaction TrilogyOct 24, 2019 – Jan 26, 2020
Hugh Lane Gallery is delighted to present The Redaction Trilogy, the first solo museum exhibition in Ireland by collaborative duo Kennedy Browne: Gareth Kennedy and Sarah Browne. (more…)
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Art, Language, & PowerOct 26, 2019 – Jan 26, 2020
Proceeding from a belief in the power of language as the basis for our outlook and actions, the exhibition considers ways artists rearrange and reconfigure communication structures as starting points.
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Martin Parr – Early WorksRRB Photobooks
RRB Photobooks & the Martin Parr Foundation are delighted to present Martin Parr – Early Works. The book covers the early part of Parr’s career, comprised of images shot between 1970 and 1984, mainly in the north of England and Ireland. (more…)
