Zeynep Eda Gönen (b. 1997) graduated from Kadir Has University Department of Architecture. Currently, she is a student in the History of Architecture Master’s Program at Middle East Technical University, writing her thesis on photography. In 2022, she got accepted for the Erasmus+ Program at the École Nationale Supérieure d’Architecture de Paris-Belleville, where she continued her theoretical studies and improved her practical knowledge of photography.
In her thesis, Gonen is researching the intricate relations between realism, agency, and control in photographic representation and the spaces of photographic production, texts, and exhibition in the historical period after the rise of digital photography. In light of her theoretical knowledge of photography, Gonen practices capturing the mundane daily life with little twists, questioning the relationship between places, objects, and people.
Zeynep Eda Gonen
Zeynep Eda Gönen (b. 1997) graduated from Kadir Has University Department of Architecture. Currently, she is a student in the History of Architecture Master’s Program at Middle East Technical University, writing her thesis on photography. In 2022, she got accepted for the Erasmus+ Program at the École Nationale Supérieure d’Architecture de Paris-Belleville, where she continued her theoretical studies and improved her practical knowledge of photography.
In her thesis, Gonen is researching the intricate relations between realism, agency, and control in photographic representation and the spaces of photographic production, texts, and exhibition in the historical period after the rise of digital photography. In light of her theoretical knowledge of photography, Gonen practices capturing the mundane daily life with little twists, questioning the relationship between places, objects, and people.
Zeynep Eda Gonen
‘Colour is the best way to express the charm and poetry of life.’ French painter, writer, and photographer, Jacques Henri Lartigue (1894–1986) is best known for his black and white photographs of society at the turn of the century Parisian Belle Époque.
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975