The exhibition Adorned – The Fashionable Show presents intriguing and challenging fashion related photography projects created by a new generation of visual artists. (more…)

Navjot Altaf’s exhibition represents a new chapter in an investigation into the relationship between artistic practice and ecologist thinking, and reflects on the cultural sovereignty of indigenous populations.

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Carlos Garaicoa investigates how the city and its architecture reflect and influence society. Havana’s abandoned construction projects and the lost dreams they represent are at the core of his meditations.

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We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.

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“He put a camera in a carcass and waited for the wolves to come.” That, says Whitney Johnson, director of visuals and immersive experiences, is the kind of effort that makes for a standout National Geographic photo.

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Following presentations of Bruce Conner’s films such as Crossroads (1976) in June 2015, A Movie (1958) in May 2017, and Easter Morning (2008) in Naples, January 2018, Thomas Dane Gallery introduces Breakaway (1966) (more…)

“I wanted to portray the violent transformation of nature in the European periphery. I have experienced that the concept of wilderness, and virgin land untouched by humans, has disintegrated.” –Helene Schmitz

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Proceeding from a belief in the power of language as the basis for our outlook and actions, the exhibition considers ways artists rearrange and reconfigure communication structures as starting points.

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It was announced that the Turner Prize 2019, presented in partnership with Tate and Turner Contemporary, has been awarded to a collective bringing together the four nominated artists: Lawrence Abu Hamdan, Helen Cammock, Oscar Murillo, and Tai Shani.

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