Following the murder of George Floyd by police officers, demonstrations across the U.S. and beyond ignite against racism and police brutality, at times met with less than magnanimous authority.
Jesus Rafael Soto (1923-2005) was a Venezuelan artist resident in Paris; a pioneer of Op and kinetic art. He was Born in Ciudad Bolivar, Venezuela and studied at the Academy of Fine Arts in Caracas 1942–1947, where he formed friendships with his fellow students Cruz-Diez and Otero. Director of the School of Fine Arts in Maracaibo 1947–1950. His first one-man exhibition was held at the Taller Libre de Arte, Caracas, 1949. He moved to Paris in 1950, earning his living in the early 1950s by playing the guitar. Influenced by Mondrian’s late works, Soto set out to make forms appear to move optically. He made paintings from 1951 based on the repetition of identical geometrical units, then 1952–1957 superimposed sheets of perspex marked with a stripe or spiral pattern in front of a patterned plane; the movement of the spectator caused the lines to appear to move, vibrate and dematerialize. He made ‘Vibration Structures,’ with a wire structure in front of a background of black and white lines, and from 1962 paintings with suspended bars, fixed plaques, etc. From 1965 Soto created a number of wall-sized pieces, with repetition of identical units, followed by environmental installations known as ‘Penetrables.’ with a great number of hanging rods or threads. Lastly he founded the museum of modern art at Ciudad Bolivar in 1973.