













Tomoki Imai was born in 1974 in Hiroshima. He graduated from the Department of Aesthetics and Art History, Tokyo University of the Arts in 1998. In his works, such as Mahiru – In the Middle of the Day and LIGHT AND GRAVITY, Imai captures everyday scenes of interiors, forests, and streets that are nevertheless filled with serenity. In recent years, he has produced In Their Eyes (2016) by following the works of photographers who made images from different political positions during World War II, and treating memories of the past as something not separated from the present, but rather as that which approaches the present; and Semicircle Law (2013), in which he photographed straight ahead the reactor building at Fukushima Daiichi Nuclear Power Plant from mountain tops within its 30km radius. He has participated in group exhibitions such as In the Here and Now, Tokyo Photographic Art Museum, Tokyo (2017), 19th DOMANI: The Art of Tomorrow, The National Art Center, Tokyo (2016), Meguro Address, Meguro Museum of Art, Tokyo (2012). His works are included in the collection of San Francisco Museum of Modern Art and Tokyo Photographic Art Museum.
Tomoki Imai was born in 1974 in Hiroshima. He graduated from the Department of Aesthetics and Art History, Tokyo University of the Arts in 1998. In his works, such as Mahiru – In the Middle of the Day and LIGHT AND GRAVITY, Imai captures everyday scenes of interiors, forests, and streets that are nevertheless filled with serenity. In recent years, he has produced In Their Eyes (2016) by following the works of photographers who made images from different political positions during World War II, and treating memories of the past as something not separated from the present, but rather as that which approaches the present; and Semicircle Law (2013), in which he photographed straight ahead the reactor building at Fukushima Daiichi Nuclear Power Plant from mountain tops within its 30km radius. He has participated in group exhibitions such as In the Here and Now, Tokyo Photographic Art Museum, Tokyo (2017), 19th DOMANI: The Art of Tomorrow, The National Art Center, Tokyo (2016), Meguro Address, Meguro Museum of Art, Tokyo (2012). His works are included in the collection of San Francisco Museum of Modern Art and Tokyo Photographic Art Museum.














Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…