The Bombas Gens activities program has been conceived as a mediation space to exchange and share knowledge and experiences. Conscious that the public does not exist per se but is ephemerally constructed through the activation of proposals, different sensibilities and interests of those publics that visit the Centre will be considered and attended to. Constructing a space that responds to diversity and context is the centre’s principle objective, so that it is in a continuous, living state of transformation and can never be considered finished.
The central point of the activities will be the collection and temporary exhibitions and, using different creative and collaborative methodologies, practices and proposals, the range of artistic practices will be widened, endowing the finished works with additional dimensions of experience and reflection.
We want to share an art collection and exhibition space to promote the awareness and knowledge of art, expanding horizons both in our city and further afield. Our aim is to be a reference point in the art world that is recognized for its quality and the uniqueness of what we exhibit through exhibitions of the artists in the collection and others related to it.







The Bombas Gens activities program has been conceived as a mediation space to exchange and share knowledge and experiences. Conscious that the public does not exist per se but is ephemerally constructed through the activation of proposals, different sensibilities and interests of those publics that visit the Centre will be considered and attended to. Constructing a space that responds to diversity and context is the centre’s principle objective, so that it is in a continuous, living state of transformation and can never be considered finished.
The central point of the activities will be the collection and temporary exhibitions and, using different creative and collaborative methodologies, practices and proposals, the range of artistic practices will be widened, endowing the finished works with additional dimensions of experience and reflection.
We want to share an art collection and exhibition space to promote the awareness and knowledge of art, expanding horizons both in our city and further afield. Our aim is to be a reference point in the art world that is recognized for its quality and the uniqueness of what we exhibit through exhibitions of the artists in the collection and others related to it.







Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
‘Colour is the best way to express the charm and poetry of life.’ French painter, writer, and photographer, Jacques Henri Lartigue (1894–1986) is best known for his black and white photographs of society at the turn of the century Parisian Belle Époque.