Elmgreen & Dragset
Artist

Elmgreen & Dragset have been working together since 1995 at the crossroads of art and architecture, performance and installation. Preoccupied with objects and their settings, and the discourse that can arise when those objects are radically recontextualized, Elmgreen & Dragset push against the normal modes for the display of art. Whether presenting sculptures or total environments, their work draws attention to the institutions that host them and their attendant politics. Performativity and participation are fraught in the work of Elmgreen & Dragset as their work invites and denies participation in equal measure (pools are emptied, diving boards are oriented vertically, bars are inaccessible, sinks dysfunctional). Quotidian objects are stripped of their utility and regarded as sculptural phenomena, taking on Minimalist aesthetics that challenge the sterilizing force of the white cube. In the same way, Elmgreen & Dragset’s outdoor public sculpture recontextualize the surroundings in which they are located, such as well-known projects like Van Gogh’s Ear at Rockefeller Plaza in New York or Prada Marfa along Highway 90 in the middle of the Texan desert.

[Perrotin]

Elmgreen & Dragset
Artist

Elmgreen & Dragset have been working together since 1995 at the crossroads of art and architecture, performance and installation. Preoccupied with objects and their settings, and the discourse that can arise when those objects are radically recontextualized, Elmgreen & Dragset push against the normal modes for the display of art. Whether presenting sculptures or total environments, their work draws attention to the institutions that host them and their attendant politics. Performativity and participation are fraught in the work of Elmgreen & Dragset as their work invites and denies participation in equal measure (pools are emptied, diving boards are oriented vertically, bars are inaccessible, sinks dysfunctional). Quotidian objects are stripped of their utility and regarded as sculptural phenomena, taking on Minimalist aesthetics that challenge the sterilizing force of the white cube. In the same way, Elmgreen & Dragset’s outdoor public sculpture recontextualize the surroundings in which they are located, such as well-known projects like Van Gogh’s Ear at Rockefeller Plaza in New York or Prada Marfa along Highway 90 in the middle of the Texan desert.

[Perrotin]

  • Betty Bee: Nacquero A Napoli Improvvisandosi
    Apr 7 – Jun 7, 2024
    zaza'
    Milan, Italy
    Strictly brunettes. Indeed brunette one, brunette the other. Capricious by poetics the first by birth, smooth as a straight line the second. The birthplaces of both are Parthenopean. As for one rooted on the cliffs of Posillipo where she also spent the resilient months of the recent Pandemic, while the other belongs to that blood material that protrudes into the vessel of the great swarming artery of Via Foria and its labyrinthine environs, where she still resides. (more…)
  • Mara Palena: Oikeiôsis
    Publication
    Witty Books
    International
    The knowledge of one’s inner self as the sole tool for self-fulfillment, for stoically embracing the human condition in all its turmoils – that is what ancient Greeks used to call Oikeiôsis. The same word was chosen by Mara Palena to call a project that unfolds over the duration of existence. The analog images shot by the artist from her childhood to today do not follow any external precept. (more…)
  • Unhealed
    Mar 3 – Sep 15, 2024
    Moderna Museet
    Malmö, Sweden
    The international group exhibition Unhealed delves into the aftermath of the uprisings and revolutions, that swept through the Arab world starting in 2010. These events altered the lives of millions of people, many of whom as a consequence now live in Sweden. With this exhibition, Moderna Museet Malmö proudly presents seventeen artist who, in poignant and thought-provoking ways, have addressed this still unfolding chapter in history. (more…)
  • Jimmy DeSana: Salvation
    Publication
    Primary Information
    International
    Salvation is a previously-unpublished artist book by Jimmy DeSana that he conceptualized shortly before his death in 1990. The publication contains 44 of the artist’s late photographic abstractions that quietly and poetically meditate on loss, death, and nothingness. Depicted within the works are images of relics, body parts, flowers, and fruits that DeSana altered using collage and darkroom manipulations to create pictures that are both intimate and other-worldly. (more…)