Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
The German-Jewish surrealist painter Felix Nussbaum was born in Osnabrück in 1904. In 1922 he studies at the Hamburg State School of Applied Arts. In 1923 he attends the private Lewin Funcke School in Berlin. In 1924-25 he is a student of the Berlin School of Fine and Applied Arts and is master student of Hans Meid in 1928-29. As of 1929 he has a studio together with the Polish painter and later partner and wife Felka Platek.
Felix Nussbaum receives a scholarship for the Villa Massimo in Rome in 1932. With the National socialists taking over power in 1933, the political and cultural atmosphere in Germany undergoes drastic changes. His Berlin studio is set on fire because of his Jewish belief, some 150 works fall victim to the flames. His scholarship at the Villa Massimo was at first extended by three months, but then it was cancelled and Nussbaum had to leave suddenly. His paintings are sent to him in Alassio.
In 1935 Felix Nussbaum and his wife are in Paris, from where they travel to Oostende. He changes his place of residence in Belgium several times. The couple lives in Brussels as of 1937. As German troops march into Belgium in 1940, Nussbaum is arrested as a hostile foreigner and has to go to a detention camp in Saint-Cyprien, from where he manages to escape. He goes back to Brussels. Felix Nussbaum hides his paintings with two friends in 1942. He and his wife hide in the apartment of the Belgian sculptor Dolf Ledel. But Nussbaum continues working, despite all miseries – because of the smell of turpentine, which could reveal his hiding place, he works in the basement of the house of an art dealer that he is friends with.
In the 1940s he makes a number of extraordinary self portraits and haunting pictures, dealing with his personal impressions. He makes the Selbstbildnis mit Judenpass (Self Portrait with Jewish Passport) in 1943. Nussbaum and his wife are arrested on June 20, 1944 and are deported to Auschwitz where he dies on July 31, 1944.
Felix Nussbaum is one of the main representatives of New Objectivity. His hometown opens the Felix Nussbaum House in 1998, where 170 works, some two thirds of this oeuvre, are shown.
The German-Jewish surrealist painter Felix Nussbaum was born in Osnabrück in 1904. In 1922 he studies at the Hamburg State School of Applied Arts. In 1923 he attends the private Lewin Funcke School in Berlin. In 1924-25 he is a student of the Berlin School of Fine and Applied Arts and is master student of Hans Meid in 1928-29. As of 1929 he has a studio together with the Polish painter and later partner and wife Felka Platek.
Felix Nussbaum receives a scholarship for the Villa Massimo in Rome in 1932. With the National socialists taking over power in 1933, the political and cultural atmosphere in Germany undergoes drastic changes. His Berlin studio is set on fire because of his Jewish belief, some 150 works fall victim to the flames. His scholarship at the Villa Massimo was at first extended by three months, but then it was cancelled and Nussbaum had to leave suddenly. His paintings are sent to him in Alassio.
In 1935 Felix Nussbaum and his wife are in Paris, from where they travel to Oostende. He changes his place of residence in Belgium several times. The couple lives in Brussels as of 1937. As German troops march into Belgium in 1940, Nussbaum is arrested as a hostile foreigner and has to go to a detention camp in Saint-Cyprien, from where he manages to escape. He goes back to Brussels. Felix Nussbaum hides his paintings with two friends in 1942. He and his wife hide in the apartment of the Belgian sculptor Dolf Ledel. But Nussbaum continues working, despite all miseries – because of the smell of turpentine, which could reveal his hiding place, he works in the basement of the house of an art dealer that he is friends with.
In the 1940s he makes a number of extraordinary self portraits and haunting pictures, dealing with his personal impressions. He makes the Selbstbildnis mit Judenpass (Self Portrait with Jewish Passport) in 1943. Nussbaum and his wife are arrested on June 20, 1944 and are deported to Auschwitz where he dies on July 31, 1944.
Felix Nussbaum is one of the main representatives of New Objectivity. His hometown opens the Felix Nussbaum House in 1998, where 170 works, some two thirds of this oeuvre, are shown.
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.