Juan Uslé
Artist

Juan Uslé was born in Santander, Spain, in 1954. His work has been widely exhibited internationally, and recent solo exhibitions include: Dark Light, Kunstmuseum Bonn, Bonn, Germany (2014), travelling to Centro Galego de Arte Contemporánea (CGAC) (2014); Nudos y rizomas, Es Baluard, Museu d’Art Modern I Contemporani de Palma, Palma de Mallorca, Spain (2010); Switch on / Switch off, Centro de Arte Contemporáneo de Málaga and Valencia Bancaja (2007 – 2008); Fundación Marcelino Botín, Santander (2004); Open Rooms, Palacio de Velázquez, Museo Nacional Centro de Arte Reina Sofía, Madrid (2003); SMAK, Stedelijk Museum voor Actuele Kunst (2003), Ghent; Irish Museum of Modern Art, Dublin (2003- 2004); First Time, Museum Morsbroich, Leverkusen (2002); Distancia Insalvable, Centro Cultural Casa del Cordón, Burgos (2000); Museo de Bellas Artes de Santander (2000); Centro Cultural Caja de Cantabria, Sala Luz Norte, Santander (2000). Notable group exhibitions include: 51st Venice Biennale (2005) and Monocromos: De Malevich al presente, Museo Nacional Centro de Arte Reina Sofía, Madrid (2004). His work is included in many major collections worldwide: Museum Boymans-van Beuningen, Rotterdam; Vienna Museum, Vienna; M.A.C.B.A., Museu d’Art Contemporani, Barcelona; Fonds National d’Art Contemporain, Ministère de Culture, Paris; Colección Arte Contemporáneo Fundación La Caixa, Barcelona.

[Frith Street Gallery]

Juan Uslé
Artist

Juan Uslé was born in Santander, Spain, in 1954. His work has been widely exhibited internationally, and recent solo exhibitions include: Dark Light, Kunstmuseum Bonn, Bonn, Germany (2014), travelling to Centro Galego de Arte Contemporánea (CGAC) (2014); Nudos y rizomas, Es Baluard, Museu d’Art Modern I Contemporani de Palma, Palma de Mallorca, Spain (2010); Switch on / Switch off, Centro de Arte Contemporáneo de Málaga and Valencia Bancaja (2007 – 2008); Fundación Marcelino Botín, Santander (2004); Open Rooms, Palacio de Velázquez, Museo Nacional Centro de Arte Reina Sofía, Madrid (2003); SMAK, Stedelijk Museum voor Actuele Kunst (2003), Ghent; Irish Museum of Modern Art, Dublin (2003- 2004); First Time, Museum Morsbroich, Leverkusen (2002); Distancia Insalvable, Centro Cultural Casa del Cordón, Burgos (2000); Museo de Bellas Artes de Santander (2000); Centro Cultural Caja de Cantabria, Sala Luz Norte, Santander (2000). Notable group exhibitions include: 51st Venice Biennale (2005) and Monocromos: De Malevich al presente, Museo Nacional Centro de Arte Reina Sofía, Madrid (2004). His work is included in many major collections worldwide: Museum Boymans-van Beuningen, Rotterdam; Vienna Museum, Vienna; M.A.C.B.A., Museu d’Art Contemporani, Barcelona; Fonds National d’Art Contemporain, Ministère de Culture, Paris; Colección Arte Contemporáneo Fundación La Caixa, Barcelona.

[Frith Street Gallery]

  • Joan Jonas: Good Night Good Morning
    Mar 17 – Jul 6, 2024
    MoMA
    New York, USA
    “I didn’t see a major difference between a poem, a sculpture, a film, or a dance,” Joan Jonas has said. For more than five decades, Jonas’s multidisciplinary work has bridged and redefined boundaries between performance, video, drawing, sculpture, and installation. The most comprehensive retrospective of the artist’s work in the United States, Joan Jonas: Good Night Good Morning traces the full breadth of her career (more…)
  • Lars Harmsen: Collision
    Publication
    Slanted
    International
    Collision by Lars Harmsen is the collision of intuition and the human experience. A visual journey of photographs, design, and ideas. With this publication, the author mercilessly settles accounts with the last 10 years of his creative work. Numerous pieces and creations, from Slanted, PosterRex and 100for10 to freelance works and other projects have been destroyed, cut up and reassembled. A maximum of carnage. With a minimum of diplomacy. (more…)
  • Erwin Wurm: Surrogates
    Feb 15 – Apr 13, 2024
    Thaddaeus Ropac
    London, UK
    Surrogates, an exhibition of new work by Erwin Wurm, embodies the Austrian artist’s characteristically explorative approach to the concept of sculpture. Disrupting traditional distinctions between subject and object, the human and the non-human, spectator and participant, the exhibition renders the familiar unfamiliar through a playful treatment of the sculptural principles of ‘two- and three-dimensionality, mass, volume, skin and surface, movement and time.’ (more…)