The program of the Museum of Contemporary Art in Krakow MOCAK, which has been active since 1st February 2010, encompasses presentation of the latest international art, education as well as research and publication projects. MOCAK’s two most important aims are presenting the art of the two last decades in the context of the post war avant garde and conceptual art as well as clarifying the rationale of creating art by highlighting its cognitive and ethical value and its relationship with everyday reality.
All the projects will be undertaken by the Museum with diverse audiences in mind. The publications produced will provide information bringing closer the origin and significance of the works and events presented and placing them in contexts. The institution considers it an important challenge to reduce prejudice against very recent art.









The program of the Museum of Contemporary Art in Krakow MOCAK, which has been active since 1st February 2010, encompasses presentation of the latest international art, education as well as research and publication projects. MOCAK’s two most important aims are presenting the art of the two last decades in the context of the post war avant garde and conceptual art as well as clarifying the rationale of creating art by highlighting its cognitive and ethical value and its relationship with everyday reality.
All the projects will be undertaken by the Museum with diverse audiences in mind. The publications produced will provide information bringing closer the origin and significance of the works and events presented and placing them in contexts. The institution considers it an important challenge to reduce prejudice against very recent art.









Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
Inspired by 16 years of shooting some of the biggest names in the music world, witnessing the rise and fall of pop icons, and watching descents into madness, Collins created two fictional music groups exclusively for this publication.