The monumental installation Calculating Empires impressively demonstrates how power and technology have been intertwined for centuries. The work, by artist-researchers Kate Crawford and Vladan Joler, and has been acquired by Rijksmuseum Twenthe...

Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed

World Press Photo is an independent non-profit organization that champions the power of photojournalism and documentary photography to deepen understanding of the world’s complexities, promote dialogue, and inspire action.

What forms does presence take when the world and its technologies exceed what can be explained, known, or felt? How to re-imagine human, non-human and synthetic life on this planet today?

Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.

After the success of the exhibition “Fashion Folklore”, the Mucem dedicates its 2026 season to Mossi Traoré, a singular voice on the French fashion scene, for whom couture becomes a field of experimentation...

Here we are again, this time, rounding out our ninth year with 7,000 pages of Articles, Profiles, and Announcements in our growing archive and over 10 million visits strong. A very exciting journey it has been ...

The URBAN ART BIENNALE is one of the world’s largest exhibitions of this anarchic art form, which transcends conventional ‘white cube’ aesthetics. Since 2011, every two years, the entire site of the Völklinger Hütte enters into dialog with this art form...

Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Discover this fascinating photography book with works by London-based Fine Art Photographer Mark Fearnley. His extraordinary images range from street photography to abstract textures and geometric compositions....

The Institute was founded in 1971 through the initiative of art collectors Dr. Achilles and Vera Chreptowsky, and sculptors Konstantin Milonadis and Mychajlo Urban. They wanted to fill a void in the public’s understanding of nationally and internationally recognized Ukrainian artists engaged with contemporary art.

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…

Aesthetica Film Festival announces its most expansive programme to date, with York set to become a meeting point for the people shaping the future of film, television, art, sound, games and immersive media this November.

Death is one of the few universal experiences of the human condition and, at the same time, one of the most mysterious. Throughout history, religions, spiritual traditions, philosophical schools of thought, and even science have sought to answer the same question...

Artpil is seeking to expand the team. From contributors to freelance individuals. Whether you are a writer, photographer, designer, art director, we want to hear from you.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.