Art connects islands across thousands of miles in “Imagining an Archipelago: Art from Cuba, Guam, the Philippines, Puerto Rico, and Their Diasporas.” The visually stunning exhibition brings together more than 40 contemporary artists...

Here we are again, this time, rounding out our ninth year with 7,000 pages of Articles, Profiles, and Announcements in our growing archive and over 10 million visits strong. A very exciting journey it has been...

Max Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement.

Dario Maglionico was born in Naples in 1986. After graduating in Biomedical Engineering at the Polytechnic University of Milan, from 2014 he lived and worked in Milan, devoting himself exclusively to painting.

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.

Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.

‘Colour is the best way to express the charm and poetry of life.’ French painter, writer, and photographer, Jacques Henri Lartigue (1894–1986) is best known for his black and white photographs of society at the turn of the century Parisian Belle Époque.

Death is one of the few universal experiences of the human condition and, at the same time, one of the most mysterious. Throughout history, religions, spiritual traditions, philosophical schools of thought, and even science have sought to answer the same question...

In today’s world, our commitment to connecting community with world-class creative innovators has never been more vital. Vanguard dance, music, and adventurous theater artists offer fresh ideas and energy, while bringing us together...

Aiming to present a thematic narrative on contemporary photography and lens-based art in Türkiye, “Panorama: Dreams and Places” brings together a comprehensive selection of works produced since the 2010s by 18 artists from different generations.

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

Bringing together paintings and drawings from Howell’s Series 10, the exhibition examines a question that sustained his practice for decades: how much difference is necessary for something to become visible?

An artist-researcher, SMITH (born 1985) navigates between photography, moving images, installation, sculpture and performance. His work develops in open cycles, often starting with photographs.

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Joseph Beuys was born in 1921, in Krefeld, Germany. During his school years in Kleve, Beuys was exposed to the work of Achilles Moortgat, whose studio he often visited, and was inspired by the sculptures of Wilhelm Lehmbruck.

The Assault of Illusion presents a reading of art as a tool for producing illusions and deceptions and explores how this, throughout its history, has progressively shaped both our desire and what we understand as “reality”.

The relational system of the human being is never a simple matter because it is always present, active, and mutable. The way in which this is made explicit is never predictable because it is conditioned by the external response