Manifesta, the European Nomadic Biennial, changes its location every two years.
Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography. This includes innovations in curatorial practices, exhibition models and education. Each Manifesta biennial aims to investigate and reflect on emerging developments in contemporary art, set within a European context. In doing so, we present local, national and international audiences with new aspects and forms of artistic expression.
Each Manifesta comprises a range of activities extending over a period of two or more years. This incorporates publications, meetings, discussions and seminars, staged in diverse locations throughout Europe and in the neighboring regions, culminating in the final three-month long exhibition in the host city or region. In this way, Manifesta aims to create a keen and workable interface between prevailing international artistic and intellectual debates, paying attention to the specific qualities and idiosyncrasies of a given location.

Manifesta, the European Nomadic Biennial, changes its location every two years.
Manifesta purposely strives to keep its distance from what are often seen as the dominant centres of artistic production, instead seeking fresh and fertile terrain for the mapping of a new cultural topography. This includes innovations in curatorial practices, exhibition models and education. Each Manifesta biennial aims to investigate and reflect on emerging developments in contemporary art, set within a European context. In doing so, we present local, national and international audiences with new aspects and forms of artistic expression.
Each Manifesta comprises a range of activities extending over a period of two or more years. This incorporates publications, meetings, discussions and seminars, staged in diverse locations throughout Europe and in the neighboring regions, culminating in the final three-month long exhibition in the host city or region. In this way, Manifesta aims to create a keen and workable interface between prevailing international artistic and intellectual debates, paying attention to the specific qualities and idiosyncrasies of a given location.

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…