TIFF is a not-for-profit cultural organization with a mission to transform the way people see the world through film. TIFF is dedicated to presenting the best of international and Canadian cinema and creating transformational experiences...

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…

Ingel Vaikla is a visual artist and filmmaker from Estonia. She studied photography in Estonian Academy of Fine Arts (BA) and film in Royal Academy of Fine Arts in Gent (MA).

New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes. New Humans will trace a diagonal history of the twentieth and twenty-first centuries...

Artpil is seeking to expand the team. From contributors to freelance individuals. Whether you are a writer, photographer, designer, art director, we want to hear from you.

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.

The monumental installation Calculating Empires impressively demonstrates how power and technology have been intertwined for centuries. The work, by artist-researchers Kate Crawford and Vladan Joler, and has been acquired by Rijksmuseum Twenthe...

Everything has edges. Has contours. An object or an image always begins somewhere and ends somewhere else, rubbing into whatever is nearby on either side. These edges indicate the area where something meets its own exterior...

‘Colour is the best way to express the charm and poetry of life.’ French painter, writer, and photographer, Jacques Henri Lartigue (1894–1986) is best known for his black and white photographs of society at the turn of the century Parisian Belle Époque.

A promise binds the one who makes it to the unknown. By linking the present to an uncertain future, it becomes a form of foundation. To promise is to take responsibility for what does not yet exist.

César Cuspoca (1987–2022) is a Colombian artist whose artistic practice principally nourishes questions of perception, the duality between appearance and disappearance, and materialism and immaterialism.

Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed

Born in St. Paul, Minnesota, Bill Phelps has built an impressive career despite having no formal art training, lending his talents to Italian Vogue, French Marie Claire, Conde Nast Traveller UK, The New York Times Magazine, Fortune, and Interview, and picking up both an IPA Lucie Award and the Grand Prize of Portraits for the World Press Photo.

The 61st International Art Exhibition of La Biennale di Venezia – In Minor Keys by Koyo Kouoh (1967–2025) – will run from Saturday 9 May to Sunday 22 November 2026 (preview 6, 7, 8 May) at the Giardini and the Arsenale venues, and in various locations around Venice.

With PUBLIC AND BEYOND JUDGMENT, the G2 Kunsthalle presents the first institutional solo exhibition of New York-based painter Jeanette Mundt in Germany. In addition to paintings, the artist created a site-specific mural for the exhibition.

Since 2000, the Fondazione per l’Arte Moderna e Contemporanea CRT has been building a collection of modern and contemporary art for the benefit of the Piedmont community and its museum network, with acquisitions for GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino and Castello di Rivoli Museo d’Arte Contemporanea.

Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…

The Assault of Illusion presents a reading of art as a tool for producing illusions and deceptions and explores how this, throughout its history, has progressively shaped both our desire and what we understand as “reality”.