Arianna De Nicola
Artist
Arianna De Nicola, 1986, Rome, Italy.
In her work she follows a multidisciplinary trajectory, where the absence of color predominates, emphasizing a Minimalism. By manipulating the painting as a means of expression, techniques of printing and sculpture, represents figurations distorted to the limit of abstraction.
Her research focuses on emotional perception, and deepens the psychic limit that the individual surpasses in their emotional state.
Taking this as a reference, she develops her project around the concept of barrier to be overcome, where the negative connotation of the border, positive value by becoming open to new horizons.
It refers to an imaginary world made up of fantasies intimacies and pleasures with reference to the desire as the impulse of the human being.
Among her last art works, “Tutto non ha un limite” artwork made during the artistic residence at BoCs Art in Cosenza, a project curated by “I Martedì Critici” by Alberto Dambruoso; and “Deep” solo exhibition at Frax Foundation, Spain.
“Arianna De Nicola, in Deep, realizes an research to enter the depths of the human being. The physical and psychic limits, the visible and most hidden fears… An attempt of dip in the deepest of the psyche; A personal trip of confrontation with one itself and of overcoming. Beyond the minimalismo and of the aesthetic subtlety, Arianna pushes us to give this jump to the emptiness that supposes overcoming the barriers that us flood the soul.” –Esperanza Durán, 2017.
She lives and works between Spain and Italy, Rome, where he was born.
Arianna De Nicola
Artist
Arianna De Nicola, 1986, Rome, Italy.
In her work she follows a multidisciplinary trajectory, where the absence of color predominates, emphasizing a Minimalism. By manipulating the painting as a means of expression, techniques of printing and sculpture, represents figurations distorted to the limit of abstraction.
Her research focuses on emotional perception, and deepens the psychic limit that the individual surpasses in their emotional state.
Taking this as a reference, she develops her project around the concept of barrier to be overcome, where the negative connotation of the border, positive value by becoming open to new horizons.
It refers to an imaginary world made up of fantasies intimacies and pleasures with reference to the desire as the impulse of the human being.
Among her last art works, “Tutto non ha un limite” artwork made during the artistic residence at BoCs Art in Cosenza, a project curated by “I Martedì Critici” by Alberto Dambruoso; and “Deep” solo exhibition at Frax Foundation, Spain.
“Arianna De Nicola, in Deep, realizes an research to enter the depths of the human being. The physical and psychic limits, the visible and most hidden fears… An attempt of dip in the deepest of the psyche; A personal trip of confrontation with one itself and of overcoming. Beyond the minimalismo and of the aesthetic subtlety, Arianna pushes us to give this jump to the emptiness that supposes overcoming the barriers that us flood the soul.” –Esperanza Durán, 2017.
She lives and works between Spain and Italy, Rome, where he was born.
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The Last HumansAlienation in the AnthropoceneWe have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty. (more…)
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Ibrahim Mahama: Garden of ScarsNov 5, 2022 – Mar 19, 2023Ibrahim Mahama created a new, space-filling installation especially for Amsterdam’s oldest building. Walk through the centuries-old church building and discover the shared history of ancient places connected by trade networks (more…)
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A Statement from The Calvert JournalOn the War in UkraineOn February 25, 2022, The Calvert Journal ceased publication until further notice. At a time when Russian acts of war are being committed in Ukraine, we cannot in good conscience continue our work covering culture and the arts like business as usual. (more…)
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Jasper JohnsArtistJasper Johns was an artist that came onto the scene in the 1950s. Much of the work that he created led the American public away from the expressionism form, and towards an art movement or form known as the concrete. (more…)
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Richard Serra: TransmitterOngoing“I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.” –Richard Serra (more…)
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Omsk Social Club / T(())MBJun 7 – Jul 29, 2023Worlds emerges by being put into words. When humans communicate, play “language-games,” as philosopher Ludwig Wittgenstein put it, they are staking out the limits and possibilities of their relation to the world. (more…)
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ARTPIL / Prescription .128Autumn is a second springDeeply into fall now, falling back an hour, “Autumn is a second spring when every leaf is a flower.” –Camus. Recently celebrating our Anniversary and setting up base in the eternal city of Rome, Artpil enters into its second spring. (more…)
