Photo Richard Dawson
Darren Almond
Artist / Photographer

Darren Almond’s diverse practice incorporates film, installation, sculpture and photography, to produce evocative meditations on time and duration as well as the themes of personal and historical memory.

Almond is interested in the notions of geographical limits and the means of getting there – in particular, culturally specific points of arrival and departure. Since 1998, Almond has been making a series of landscape photographs known as the Fullmoons. Taken during a full moon with an exposure time of 15 minutes or more, these images of remote geographical locations appear ghostly, bathed in an unexpectedly brilliant light where night seems to have been turned into day.

Many of Almond’s works are filmed in wide ranging – and often inaccessible – geographical locations such as the Arctic Circle, Siberia, the holy mountains in China or the source of the Nile.

Darren Almond was born in 1971 in Wigan, UK and lives and works in London. Solo exhibitions include Villa Pignatelli-Casa della Fotografia, Naples, Italy (2018); Mudam, Luxembourg (2017); Museum Sinclair Haus, Bad Homberg, Germany (2016); Scai the Bathhouse, Tokyo (2016); New Art Centre, Salisbury, UK (2016); Neue Galerie, Graz, Austria (2015); Dirimart, Istanbul (2015); Bloomberg Space, London (2014); Art Tower Mito, Japan (2013); Sala Alcalá 31, Madrid (2013); Château Gallery, Domaine Régional de Chaumont-sur-Loire, France (2012); The High Line, New York (2011); Villa Merkel, Esslingen am Neckar, Germany (2011); L’Abbaye de la Chaise Dieu, France (2011); Frac Normandie, Rouen, France (2011); FRAC Auvergne, Clermont Ferrand, France (2011); and Parasol Unit, London (2008).

He has participated in numerous group exhibitions including Louisiana Museum of Modern Art, Humlebæk, Denmark (2018); Whitechapel Gallery, London (2018); Thyssen-Bornemisza Art Contemporary, Vienna (2017); Centre Pompidou Metz, France (2016); Royal Academy of Arts, London (2015); Nottingham Contemporary, UK (2015); Helmhaus, Zurich, Switzerland (2011); 6th Biennale de Curitiba, Brazil (2011); Miami Art Museum (2011); Musée d’Art Contemporain du Val-de-Marne, Vitry-sûr-Seine, France (2010); Tate Triennial, Tate Britain, London (2009); Frac Lorraine, Metz, France (2009); 2nd Moscow Biennale (2007); and The Turner Prize, Tate Britain, London (2005).

[White Cube Gallery]

Darren Almond
Artist / Photographer

Darren Almond’s diverse practice incorporates film, installation, sculpture and photography, to produce evocative meditations on time and duration as well as the themes of personal and historical memory.

Almond is interested in the notions of geographical limits and the means of getting there – in particular, culturally specific points of arrival and departure. Since 1998, Almond has been making a series of landscape photographs known as the Fullmoons. Taken during a full moon with an exposure time of 15 minutes or more, these images of remote geographical locations appear ghostly, bathed in an unexpectedly brilliant light where night seems to have been turned into day.

Many of Almond’s works are filmed in wide ranging – and often inaccessible – geographical locations such as the Arctic Circle, Siberia, the holy mountains in China or the source of the Nile.

Darren Almond was born in 1971 in Wigan, UK and lives and works in London. Solo exhibitions include Villa Pignatelli-Casa della Fotografia, Naples, Italy (2018); Mudam, Luxembourg (2017); Museum Sinclair Haus, Bad Homberg, Germany (2016); Scai the Bathhouse, Tokyo (2016); New Art Centre, Salisbury, UK (2016); Neue Galerie, Graz, Austria (2015); Dirimart, Istanbul (2015); Bloomberg Space, London (2014); Art Tower Mito, Japan (2013); Sala Alcalá 31, Madrid (2013); Château Gallery, Domaine Régional de Chaumont-sur-Loire, France (2012); The High Line, New York (2011); Villa Merkel, Esslingen am Neckar, Germany (2011); L’Abbaye de la Chaise Dieu, France (2011); Frac Normandie, Rouen, France (2011); FRAC Auvergne, Clermont Ferrand, France (2011); and Parasol Unit, London (2008).

He has participated in numerous group exhibitions including Louisiana Museum of Modern Art, Humlebæk, Denmark (2018); Whitechapel Gallery, London (2018); Thyssen-Bornemisza Art Contemporary, Vienna (2017); Centre Pompidou Metz, France (2016); Royal Academy of Arts, London (2015); Nottingham Contemporary, UK (2015); Helmhaus, Zurich, Switzerland (2011); 6th Biennale de Curitiba, Brazil (2011); Miami Art Museum (2011); Musée d’Art Contemporain du Val-de-Marne, Vitry-sûr-Seine, France (2010); Tate Triennial, Tate Britain, London (2009); Frac Lorraine, Metz, France (2009); 2nd Moscow Biennale (2007); and The Turner Prize, Tate Britain, London (2005).

[White Cube Gallery]

  • TIME SQUARE
    Dec 1, 2023 – Mar 31, 2024
    Flashback Habitat
    Turin, Italy
    Flashback Habitat Ecosystem for Contemporary Cultures continues its path of experimentation and artistic research with the new exhibition Time Square: L’arte in piazza trascende il tempo. The exhibition takes inspiration from the famous square in New York, changing its name to Time Square, where the words “time” and “square” collide and recompose new meanings. The American square is the clear symbol of aggressive modernity and humanity in transformation. (more…)
  • Jimmy DeSana
    Nov 4, 2023 – Jan 6, 2024
    Meyer Riegger
    Berlin, Germany
    The Queer photographer Jimmy DeSana worked in New York from 1973 until his premature death from AIDS-related illness in 1990. No wave music, club culture, performance art, the Pictures Generation, mail art: not only was DeSana a prominent figure in these scenes, he also became a chronicler of Queer New York subculture in the 1970s and 1980s through his photographs. (more…)
  • popular
    Oct 5, 2023 – Apr 14, 2024
    Institut Valencià d’Art Modern / IVAM
    Valencia, Spain
    What is “popular”? Popular is not fame or celebrity. Popular is not the products of mass culture. Popular is not pop. Popular is not the art of the people, nor the identity of the country, nor the symbols of the nation. The popular is not the product of the proletariat or the craftsmanship of the working classes. The popular is not folklore. The popular is not clichés or tourist souvenirs.The popular is not visual candy, one-euro merchandise, advertising royalties. Popular is somewhere in-between all of that (more…)