José María Mellado is one of the Spanish photographers who, with more strength, has built that visual experience of the natural beauty.
Mellado masters lights and clouds; wraps his landscapes with grayish colors, as suggesting that something is near to happen, that the pledges for the rainfall will be fulfilled. In his empty roads, his enraged rivers and seas, in the breathtaking factories or in the vision of the city, a blend of intense poetry and, at the same time, weird unreality is conveyed. There is no documentarism nor anecdote here, but the eagerness to convert the outside into the land for dreaming.
In some way, Mellado exemplifies, to the completion, that Paul Klee’s idea: Art does not reproduce the visible; ‘rather, it makes visible’
[F. Castro Flórez; 2007]
José María Mellado is one of the Spanish photographers who, with more strength, has built that visual experience of the natural beauty.
Mellado masters lights and clouds; wraps his landscapes with grayish colors, as suggesting that something is near to happen, that the pledges for the rainfall will be fulfilled. In his empty roads, his enraged rivers and seas, in the breathtaking factories or in the vision of the city, a blend of intense poetry and, at the same time, weird unreality is conveyed. There is no documentarism nor anecdote here, but the eagerness to convert the outside into the land for dreaming.
In some way, Mellado exemplifies, to the completion, that Paul Klee’s idea: Art does not reproduce the visible; ‘rather, it makes visible’
[F. Castro Flórez; 2007]
For its second exhibition since the opening of its Roman space, La Società delle Api presents I fiori del male, a project dedicated to the work of Chiara Camoni and curated by Alice Motard…
Inspired by 16 years of shooting some of the biggest names in the music world, witnessing the rise and fall of pop icons, and watching descents into madness, Collins created two fictional music groups exclusively for this publication.