Filmed at night, the dazzling landscapes captured are dramatically lit by a spotlight carried on a drone; as light tracks across the dark terrain, incredible shapes and tonalities are revealed. Sean Kelly Gallery is pleased to present Towards No Earthly Pole, Julian Charrière (more…)
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Luis Antonio Rojas
Photographer
Luis Antonio Rojas is a freelance documentary photographer from Mexico City.
He has a Civil Engineering degree at the Iberoamerican University, where he began photographing the urban fracture derived from the construction of the Santa Fe megaproject in the outskirts of Mexico City, which led to his first publication in the New York Times. Since then he has been working with communities facing urban phenomena.
Between 2015 and 2016 he worked as an assistant for several international photojournalists, including Daniel Berehulak and Sebastien Van Malleghem.
He recently graduated from the Visual Journalism and Documentary Practice Program at the International Center of Photography with a Wall Street Journal Scholarship, was shortlisted for the Lucie Foundation Emerging Artist Scholarship, was nominated for the World Press Photo 6×6 Global Talent Program and was honored with the “Keep in Flight” Award for embodying the heart and soul of John White’s message at the EAW XXXI.
His work has been published in The New York Times, The Washington Post, The Wall Street Journal and Bloomberg.
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Helene Schmitz: Thinking Like a MountainDec 14, 2019 – Mar 15, 2020
“I wanted to portray the violent transformation of nature in the European periphery. I have experienced that the concept of wilderness, and virgin land untouched by humans, has disintegrated.” –Helene Schmitz
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ARTPIL / Prescription .107Look back on 2019
We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
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The American Document / Part IIFractured States / Peter van Agtmael
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
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Reading Time in SpaceModernism at mumok
This exhibit Reading Time in Space / Modernism at mumok 1910 to 1955 traces passages of time and artistic concepts, accounting the idea of an expanded concept of art, one that relies on connection and permeation beyond a traditional chronological order.
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In The Next Door RoomPhotography of Lise Sarfati
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
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Elimination of ViolenceArt, Women & Awareness
The United Nations General Assembly has designated today International Day for the Elimination of Violence Against Women. Today we would like to once again celebrate the women who have inspired and created in the art world.
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What We Found After You Left / Naeem MohaiemenSep 21, 2019 – May 10, 2020
While focusing on moments of mistake and misrecognition, Naeem Mohaiemen’s research into aspirations towards utopia during the Cold War era, manifested through decolonization, revolution, and independence.
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Darkest HourBrexit and the British youth
Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum over three years ago (more…)
