Marsden Hartley was born on January 4, 1877, in Lewiston, Maine, to English immigrant parents. In 1893 he moved with his family to Ohio, where he studied at the Cleveland School of Art.
A leading member of the Stieglitz group, Hartley was a pioneer American modernist whose knowledge of French avant-garde styles and close association with the innovative German painters known as Der Blaue Reiter led him to invent one of the most innovative painting styles of the early 20th century. Beginning with his return to the United States in 1915, Hartley moved away from his former abstract style and, forever moving from place to place, produced a remarkable variety of expressive landscapes, still life compositions, and unconventional portraits. His exceptionally fine late Mount Katahdin landscapes secured his legacy as one of the greatest of all American modernists.
[Text by Robert Torchia]
Marsden Hartley was born on January 4, 1877, in Lewiston, Maine, to English immigrant parents. In 1893 he moved with his family to Ohio, where he studied at the Cleveland School of Art.
A leading member of the Stieglitz group, Hartley was a pioneer American modernist whose knowledge of French avant-garde styles and close association with the innovative German painters known as Der Blaue Reiter led him to invent one of the most innovative painting styles of the early 20th century. Beginning with his return to the United States in 1915, Hartley moved away from his former abstract style and, forever moving from place to place, produced a remarkable variety of expressive landscapes, still life compositions, and unconventional portraits. His exceptionally fine late Mount Katahdin landscapes secured his legacy as one of the greatest of all American modernists.
[Text by Robert Torchia]

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
A Zona is Diogo Simões’s first book. Twelve years in the making, it marks the arrival of a major force in Portuguese photography. All the photos were done in Margem Sul, Tagus river south bank, opposite Lisbon.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.