The monumental installation Calculating Empires impressively demonstrates how power and technology have been intertwined for centuries. The work, by artist-researchers Kate Crawford and Vladan Joler, and has been acquired by Rijksmuseum Twenthe...

The 61st International Art Exhibition of La Biennale di Venezia – In Minor Keys by Koyo Kouoh (1967–2025) – will run from Saturday 9 May to Sunday 22 November 2026 (preview 6, 7, 8 May) at the Giardini and the Arsenale venues, and in various locations around Venice.

Discover this fascinating photography book with works by London-based Fine Art Photographer Mark Fearnley. His extraordinary images range from street photography to abstract textures and geometric compositions....

Housekeeping in a Dangerous Time looks into artistic practices that engage with the contemporary forces shaping intergenerational ties and the distinctions between life stages.

In his new body of work Hostless, Mohammed Sami focuses predominantly on internal spaces. The paintings become a site for mnemonic processes, mental operations in which abstraction falters and something unsettling begins to seep through.

Miles Aldridge’s hyperreal women have long been a focal point of his instantly recognizable color-blown images. With a bulging portfolio of more than two decades’ work, he has shot everyone from models of the moment Siri Tollerød and Cara Delevingne, to supermodel iconoclasts, such as ex-wife Kristen McMenamy.

Jeu de Paume is proud to present Parallax, the largest monographic exhibition devoted to Stan Douglas in France for over thirty years. Born in Vancouver in 1960, this artist, a major figure on the international contemporary art scene...

The Fondation Beyeler is a museum of modern and contemporary art open 365 days a year. Its exhibitions of renowned artists of the 19th, 20th, and 21st centuries have brought the museum international recognition and established it as Switzerland’s most popular art museum.

Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed

Artpil is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, Artpil provides stories, event news, exhibition guides and interviews, featuring profiles of artists of all disciplines...

Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.

Kunsthalle Wien presents the first institutional solo exhibition in Austria by Tiffany Sia (b. 1988, Hong Kong). Overt Listening is centred around a new film which takes as its subject the Kinmen Islands in Taiwan, just a few kilometres off the Chinese coast.

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...

Foam presents The Edge of Things, a major solo exhibition of the internationally renowned artist Nadav Kander. Over more than three decades, Kander has created some of the most celebrated images in contemporary photography...

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

Ordinary Grief is a story of tenuous reconciliation. In 2017, I returned to Iran after 25 years of self-exile, where I embarked on a personal and political reclamation of my identity and history.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.