Housekeeping in a Dangerous Time looks into artistic practices that engage with the contemporary forces shaping intergenerational ties and the distinctions between life stages.

LongHouse welcomes the world-renowned Irish American artist Sean Scully into the garden with his colored stack entitled 48, 2024, a work that epitomizes his deliberate use of stripes and color, with gestures toward land, sea, and sky.

Alice Rohrwacher was born in 1982 in Fiesole, Tuscany, Italy. She is a writer and director, known for Le Meraviglie (The Wonder), 2014, Corpo Celeste (Heavenly Body), 2011, and 9×10 novanta (2014).

“Childhood is a frightening place. Only when considered from a great distance, whether that be across space or time, can it appear carefree and idyllic. Because growing up is always marked by changes that cannot be controlled...

untame flow stay release presents artistic practices undertaken in response to unjust, environmentally toxic and ableist structures – systems that continue to suppress individuals and communities by individualizing violence...

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

Swedenborg House is pleased to announce Visionary Landscapes, an exhibition exploring the relationship between landscape, imagination and visionary states. Curated by Museum Director Stephen McNeilly, the exhibition brings together historic works in dialogue...

Mark Rothko was born Marcus Rothkowitz on September 25, 1903, in Dvinsk, Russia. In 1913 his family left Russia and settled in Portland, Oregon. Rothko attended Yale University, New Haven, on a scholarship from 1921 to 1923.

In the exhibition A Possible Image – of what is just becoming reality, Eija-Liisa Ahtila explores the interplay between humans and other forms of life within the ecological realm, and how we might understand change.

New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes. New Humans will trace a diagonal history of the twentieth and twenty-first centuries...

Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed

Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…

This autumn, Larry Achiampong will present his new film Relic 4 (2026) at KARST, revisiting the cinematic universe of the Relic Traveller project after a six-year hiatus. Exploring themes of fallen empire, class, and displacement...

The Studio Museum in Harlem is the nexus for artists of African descent locally, nationally and internationally and for work that has been inspired and influenced by black culture. It is a site for the dynamic exchange of ideas about art and society.

American University Museum is honored to present noon-mool, a major solo exhibition by Korean artist Ahn Chang-Hong. Occupying both the second and third floors of the museum, the exhibition offers a rare opportunity...

World Press Photo is an independent non-profit organization that champions the power of photojournalism and documentary photography to deepen understanding of the world’s complexities, promote dialogue, and inspire action.

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.

The New School Art Collection and the Vera List Center for Art and Politics are pleased to present Robert Rauschenberg & the News: Select Prints from The New School Art Collection...