Launched during the 2022 edition of Artissima, the METAmorphosis project is the second episode of Beyond Production – a conceptual platform born from the collaboration between Fondazione per l’Arte Moderna e Contemporanea CRT and Artissima, in dialogue with the OGR Award, with the aim of stimulating and promoting reflections on the most innovative trends in contemporary art. (more…)

The fall season of Camera opens with a great retrospective of André Kertész. L’opera 1912-1982, one of the absolute masters of 20th century photography. The exhibition is organized in collaboration with the Médiathèque du patrimoine et de la photographie (MPP) in Paris. The MPP houses more than one hundred thousand negatives and all of Kertész’s archives, which he donated to France in 1984. (more…)

Luigi Ghirri was born in 1943 in Scandiano, in the province of Reggio Emilia, Italy. He shares an interest for vernacular cultures with Walker Evans, by whom he affirms having been strongly influenced since 1977. In 1979, he shows extracts from the series “Breakfast the grass” and “Italian memories” at the Venice Biennale. (more…)

For his debut solo exhibition with Hauser & Wirth, ‘AGGRESSIVE DR1FTER,’ American artist and filmmaker Harmony Korine will present a new series of acid-hued paintings drawn from his new film ‘Aggro Dr1ft.’ (more…)

The new emerging artists selected for 2023 has been announced. The FUTURES platform members have selected a promising group of almost 100 artists with heterogeneous backgrounds and creative visions, who will have access to an unprecedented network of professionals, markets and audiences. (more…)

Multihyphenation is a compound term referring to alternate modes of creative production: “Collab” culture; “brand X brand” projects; and multiple, or even opaque styles of attribution and ownership among the individuals, studios, and practices that engage in such work. For them, the “body of work” they produce matters more than maintaining a singular creative identity (more…)

With this, his first solo exhibition in Berlin, the Mexican artist Omar Barquet brings together new works with autofictional elements, which he stages in a tri-partite room installation through which viewers will circulate. Over the years, Barquet has assembled albums in a journal-like process. (more…)

By the time you get to see it, you already have a share or stake in it. Objects revisited. Objects which never come without baggage, points of reference, signs of identification. It’s how you understand them, on the one hand, but it’s also what gets in the way. What keeps you looking. Histories, personal histories, and shared affinities, like an image or a musical memory. It’s a curatorial impulse, to make sense of and render these fleeting but essential moments of experience visible. (more…)

Eva Fàbregas takes over the historical hall of the Hamburger Bahnhof with a monumental, site-specific installation. The artist’s largest solo exhibition to date expands the boundaries of sculpture, inviting visitors to a sensual, spatial experience. Biomorphous sculptures transform the museum hall’s architecture, which is characterized by industrial iron girders, into an organically grown space. (more…)