Z33 is a ground-breaking arts institution in Hasselt that works at the intersection of art, design and architecture. It is a safe haven on the periphery with a magnificent new building and a refreshingly diverse programme. It is a rugged playground for artistic research, with its sights set on the world, its feet in the mud, and a heart that beats for talent development, (un)learning, the enjoyment of research and scintillating collaborations.
Z33 is a secret tip off the beaten arts track. A seismograph for whatever is moving and shaking in society. An open centre where you can take time off from the world that you know. A laboratory where explanation, imagination and modelling come together and shed new light on questions both great and small. Nothing is taken for granted. What seemed distant comes closer.

Z33 is a ground-breaking arts institution in Hasselt that works at the intersection of art, design and architecture. It is a safe haven on the periphery with a magnificent new building and a refreshingly diverse programme. It is a rugged playground for artistic research, with its sights set on the world, its feet in the mud, and a heart that beats for talent development, (un)learning, the enjoyment of research and scintillating collaborations.
Z33 is a secret tip off the beaten arts track. A seismograph for whatever is moving and shaking in society. An open centre where you can take time off from the world that you know. A laboratory where explanation, imagination and modelling come together and shed new light on questions both great and small. Nothing is taken for granted. What seemed distant comes closer.

‘Colour is the best way to express the charm and poetry of life.’ French painter, writer, and photographer, Jacques Henri Lartigue (1894–1986) is best known for his black and white photographs of society at the turn of the century Parisian Belle Époque.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…