The Bird in Borrowed Feathers
Hellen van Meene

Hellen van Meene / James Freeman Gallery

James Freeman Gallery is pleased to present The Bird in Borrowed Feathers, a solo exhibition for the Dutch photographer Hellen van Meene. This will be Hellen’s first solo exhibition in London since 2008, and will place new works in context with a number of pieces from the past decade.

 

Hellen van Meene / James Freeman Gallery

Hellen van Meene / James Freeman Gallery

Hellen van Meene / James Freeman Gallery

Hellen van Meene is renowned worldwide for her distinctive photographic approach. Working in analogue and principally in small format, she focuses on the experiences of young people at the stage between adolescence and adulthood. It is a fragile space, full of uncertainty, and riven with the anxieties of change. Hellen finds glimpses into these intimate inner worlds and brings their fragility to light in ways that are sometimes surreal and unsettling, often uncomfortable and challenging, but always deeply sensitive and sincere.

 

Hellen van Meene / James Freeman Gallery

Hellen van Meene / James Freeman Gallery

Hellen van Meene / James Freeman Gallery

Hellen van Meene / James Freeman Gallery

Hellen finds glimpses into these intimate inner worlds and brings their fragility to light in ways that are sometimes surreal and unsettling…

Many of Hellen’s new works explore the use of animals as motifs. Pets – dogs, birds, rats – appear as emotional familiars for their uncertain friends. Butterflies, the perennial symbol of transformation, appear like a floating spirit over the skin of the model. So many of Hellen’s works are composed as small format interiors lit with milky natural light in a tradition that stretches back centuries to the Northern Renaissance. Within this context, the family pet appears as a kind of emotional support for children on the cusp of braving the outside world.

 

Hellen van Meene / James Freeman Gallery

Hellen van Meene / James Freeman Gallery

Hellen van Meene / James Freeman Gallery

Hellen van Meene / James Freeman Gallery

Materials and textiles are another echo from traditional Dutch painting that find expression in Hellen’s works. Young they may be, but many of her subjects are dressed in exquisite fabrics, which Hellen captures with crystalline detail. Often these stem from shoots for large fashion houses whereby, Cinderella-like, the clothes are loaned for just the day. In Hellen’s photos, the pleats are crisp, the billowing folds voluminous: material takes on a fetishistic quality in the rites of dressing up that her young women embark upon. It is also another means of capturing the sense of displacement that her subjects express: in almost every instance, the clothes seem to be something these young women are on the point of growing into, a promise of an as-yet unknown life. Hellen’s project it to capture that moment just before it comes to pass.

 

The Bird in Borrowed Feathers / Hellen van Meene
July 11 – August 3, 2019 / James Freeman Gallery
Visit the exhibition page >

Robert Rauschenberg: Japanese Clayworks
Apr 8 – Jul 9, 2022
This comprehensive exhibition brings together rarely seen artworks of Rauschenberg's series using a newly developed technique that combined ancient...
+
ARS22 / Living Encounters
Apr 8 – Oct 16, 2022
Art has the power to investigate society and present alternative interpretations of our shared world. The featured works raise...
+
Charging Myths / On-Trade-Off
Mar 6 – Aug 21, 2022
How is technological innovation dependent on raw materials? This question is key in the exhibit tracing the origins of...
+
Circulation(s) / 12th edition
European Young Photography Festival
Circulation(s) is back with a program that reveals the vitality, creativity, and diversity of emerging photography. For two months,...
+
Ukraine: Updates from Magnum
Photographers in the Field
Magnum Photographers are on the ground in Ukraine documenting the Russian invasion and its impact on life in the...
+
The Last Humans
Alienation in the Anthropocene
We have fundamentally altered the earth's ecosystem by disrupting the natural rhythm of our planet and in doing so...
+
International Women’s Day / 2022
Artpil / Prescription .127
More terrible is love in Kyiv than magnificent Venetian passions. Butterflies fly light and maculate into bright tapers –...
+
Bayil – Behind The Hills
Bayil, Baku / Ongoing Project
On the horizon of the district between old, handmade fences and the sky, you can see the newly built...
+
Robert Rauschenberg: Japanese Clayworks
Apr 8 – Jul 9, 2022
This comprehensive exhibition brings together rarely seen artworks of Rauschenberg's series using a newly developed technique that combined ancient...
+
ARS22 / Living Encounters
Apr 8 – Oct 16, 2022
Art has the power to investigate society and present alternative interpretations of our shared world. The featured works raise...
+
Charging Myths / On-Trade-Off
Mar 6 – Aug 21, 2022
How is technological innovation dependent on raw materials? This question is key in the exhibit tracing the origins of...
+
Circulation(s) / 12th edition
European Young Photography Festival
Circulation(s) is back with a program that reveals the vitality, creativity, and diversity of emerging photography. For two months,...
+
Ukraine: Updates from Magnum
Photographers in the Field
Magnum Photographers are on the ground in Ukraine documenting the Russian invasion and its impact on life in the...
+
The Last Humans
Alienation in the Anthropocene
We have fundamentally altered the earth's ecosystem by disrupting the natural rhythm of our planet and in doing so...
+
International Women’s Day / 2022
Artpil / Prescription .127
More terrible is love in Kyiv than magnificent Venetian passions. Butterflies fly light and maculate into bright tapers –...
+
Bayil – Behind The Hills
Bayil, Baku / Ongoing Project
On the horizon of the district between old, handmade fences and the sky, you can see the newly built...
+