Swedenborg House is pleased to announce Visionary Landscapes, an exhibition exploring the relationship between landscape, imagination and visionary states. Curated by Museum Director Stephen McNeilly, the exhibition brings together historic works in dialogue...

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...

Printed Matter is thrilled to announce the second [#2424-1, 1999] and third [#3878, 2005] in a series of three fundraising Risograph-print editions by the artist Todd Hido. These two images bookend Hido’s most recent Risograph print...

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

Aiming to present a thematic narrative on contemporary photography and lens-based art in Türkiye, “Panorama: Dreams and Places” brings together a comprehensive selection of works produced since the 2010s by 18 artists from different generations.

In this installation artist George Watson brings together a series of seemingly divergent references – to the farm, the villa, and 19th-century English literature. Recurring elements across the artist’s practice, here they are positioned within a larger narrative...

The inaugural edition of the Shenzhen Art and Technology Biennale (SATB) opens to the public from May 30, 2026, to April 30, 2027 at Shenzhen International Museum of Art (SIMoA). With its theme A Glimpse of the Infinite, this edition is directed by Zikang Zhang.

Welcome to the new Online Boutique of Artpil with unique contemporary art works, limited edition photography, and monograph artist and photo books available for purchase. Here are some featured collections.

Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.

After the success of the exhibition “Fashion Folklore”, the Mucem dedicates its 2026 season to Mossi Traoré, a singular voice on the French fashion scene, for whom couture becomes a field of experimentation...

The Middelheim Museum is proud to present the first outdoor solo exhibition by international artist Monster Chetwynd. The exhibition takes its starting point from a new commission for the museum’s collection and unfolds into a landmark presentation of Chetwynd’s multifaceted practice.

Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke.

Here we are again, this time, rounding out our ninth year with 7,000 pages of Articles, Profiles, and Announcements in our growing archive and over 10 million visits strong. A very exciting journey it has been ...

The Fondation Beyeler is a museum of modern and contemporary art open 365 days a year. Its exhibitions of renowned artists of the 19th, 20th, and 21st centuries have brought the museum international recognition and established it as Switzerland’s most popular art museum.

Argo is a creative residency program and project space in Athens, Greece. We are open to visual artists, writers, performers, musicians, scholars, and any other creative discipline. Each residency includes accommodation, studio space, research support, and participation in a creative community.

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.