After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
•
Photo Mark Mahaney
Robert Irwin
Artist
For over six decades, Robert Irwin (b. 1928, Long Beach, California) has explored perception as the fundamental issue of art. Irwin, who began his career as a painter in the 1950s and became a pioneer of the “Light and Space” movement in the 1960s, has, through a continual breaking down of the frame, come to regard the role of art as “conditional” – working within and responding to the specific surrounding world of experience.
Irwin has had more than seventy-five solo exhibitions at institutions including The Museum of Modern Art, New York (1970–71); Walker Art Center, Minneapolis (1976, 2009–10); Whitney Museum of American Art, New York (1977, 2013); Museum of Contemporary Art, San Diego (1997, 2007); the Secession Vienna (2013); and Dia Center for the Arts, New York (1998–99, 2015–17). In 1993 the Museum of Contemporary Art, Los Angeles, organized a retrospective of his work that traveled to Kölnisher Kunstverein, Cologne; Musée d’Art Moderne de la Ville de Paris; and Museo Nacional Centro de Arte Reina Sofía, Madrid.
Irwin lives and works in San Diego.
•
RELATED ARTICLES
-
On the Peripheryby Sinziana Velicescu
Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
-
In The Next Door RoomPhotography of Lise Sarfati
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
-
Towards No Earthly Pole / Julian CharrièreJan 31 – Mar 21, 2020
Filmed at night, the dazzling landscapes captured are dramatically lit by a spotlight carried on a drone; as light tracks across the dark terrain, incredible shapes and tonalities are revealed. Sean Kelly Gallery is pleased to present Towards No Earthly Pole, Julian Charrière (more…)
-
Botanical Drift / Ebbe Stub WittrupJanuary 23 – May 17, 2020
As Ebbe Stub Wittrup follows in the footsteps of the Danish botanist Nathaniel Wallich, a narrative emerges on Western economy and scientific logic as opposed to local knowledge and experience.
-
ARTPIL / Assistant & InternPosition available
Artpil is seeking to hire a part-time, freelance assistant & intern in Lille, France. Research, create and cultivate relations with galleries and museums, general communications, social networking, general assistance.
-
Southern Rites / Gillian LaubVarious engagements / 2020
This small town symbolized the archetype of pastoral American life. Yet this idyllic place was also held hostage by a dark past, manifesting in the racial tensions that scar much of American history.
-
Interview with Saul LeiterBy David Gibson
“History of art is a history of great things neglected and ignored and mediocre things being admired. At different times things are different. The history of photography is a history of changes.” –Saul Leiter (more…)
-
Thirty Years of WomenFebruary 7 – April 11, 2020
This exhibit draws from Jackson Fine Art’s 30 year history of showing some of the most distinguished female voices in photography, illustrative of the gallery’s evolving vision through the years.
