Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…

The 61st International Art Exhibition of La Biennale di Venezia – In Minor Keys by Koyo Kouoh (1967–2025) – will run from Saturday 9 May to Sunday 22 November 2026 (preview 6, 7, 8 May) at the Giardini and the Arsenale venues, and in various locations around Venice.

An artist-researcher, SMITH (born 1985) navigates between photography, moving images, installation, sculpture and performance. His work develops in open cycles, often starting with photographs.

Art connects islands across thousands of miles in “Imagining an Archipelago: Art from Cuba, Guam, the Philippines, Puerto Rico, and Their Diasporas.” The visually stunning exhibition brings together more than 40 contemporary artists...

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Museum Arnhem presents Double Life, the first major solo exhibition in the Netherlands by British artist Sarah Maple (b. 1985). In her work, Maple explores what it means when different sides of her identity intersect...

In the exhibition A Possible Image – of what is just becoming reality, Eija-Liisa Ahtila explores the interplay between humans and other forms of life within the ecological realm, and how we might understand change.

Kishio Suga brings together a representative group of the artist’s sculptures, dating from the 1960s to the ’90s, that probe the slippages between seeing and knowing. Works culled from Dia’s holdings are complemented by key loans...

American University Museum is honored to present noon-mool, a major solo exhibition by Korean artist Ahn Chang-Hong. Occupying both the second and third floors of the museum, the exhibition offers a rare opportunity...

Death is one of the few universal experiences of the human condition and, at the same time, one of the most mysterious. Throughout history, religions, spiritual traditions, philosophical schools of thought, and even science have sought to answer the same question...

Swedenborg House is pleased to announce Visionary Landscapes, an exhibition exploring the relationship between landscape, imagination and visionary states. Curated by Museum Director Stephen McNeilly, the exhibition brings together historic works in dialogue...

Lu Guang was born in 1961, in Zhejiang Province, China. He has been passionate about photography since he held a camera for the first time, in 1980 when he was a factory worker in his hometown in Yongkang County.

Aesthetica Film Festival announces its most expansive programme to date, with York set to become a meeting point for the people shaping the future of film, television, art, sound, games and immersive media this November.

New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes. New Humans will trace a diagonal history of the twentieth and twenty-first centuries...

In a softly shimmering blue, then brown, then green, then gray, then pink, then green, then violet, then blue again, the colors of present day New Mexico landscapes are layered horizontally.

In today’s world, our commitment to connecting community with world-class creative innovators has never been more vital. Vanguard dance, music, and adventurous theater artists offer fresh ideas and energy, while bringing us together...

In the historical heart of Naples, the three floors of the 19th-century Palazzo Donnaregina host the Madre Museo d’Arte Contemporanea Donnaregina: 7,200 m2 of exhibition space, with site-specific installations, as well as works from the permanent collection and temporary exhibitions.

The divergent creative practices of this year’s Zvono Award finalists – Ljiljana Arsić, Isidora Branković, Mustafa Mlinarević, and Emina Veladžić – have shaped a media-heterogeneous, methodologically diverse, and conceptually multilayered exhibition.