untame flow stay release presents artistic practices undertaken in response to unjust, environmentally toxic and ableist structures – systems that continue to suppress individuals and communities by individualizing violence...

New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes. New Humans will trace a diagonal history of the twentieth and twenty-first centuries...

LongHouse welcomes the world-renowned Irish American artist Sean Scully into the garden with his colored stack entitled 48, 2024, a work that epitomizes his deliberate use of stripes and color, with gestures toward land, sea, and sky.

What forms does presence take when the world and its technologies exceed what can be explained, known, or felt? How to re-imagine human, non-human and synthetic life on this planet today?

Argo is a creative residency program and project space in Athens, Greece. We are open to visual artists, writers, performers, musicians, scholars, and any other creative discipline. Each residency includes accommodation, studio space, research support, and participation in a creative community.

Whether creating an acid portrait of Sweden, representing the nightmarish world of business offices, tapping into the desolate uniformity of petrified, petit-bourgeois neighborhoods, Lars Tunbjörk has totally forgotten his black and white beginnings.

Aesthetica Film Festival announces its most expansive programme to date, with York set to become a meeting point for the people shaping the future of film, television, art, sound, games and immersive media this November.

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

Luigi Ghirri was born in 1943 in Scandiano, in the province of Reggio Emilia, Italy. He shares an interest for vernacular cultures with Walker Evans, by whom he affirms having been strongly influenced since 1977.

An artist-researcher, SMITH (born 1985) navigates between photography, moving images, installation, sculpture and performance. His work develops in open cycles, often starting with photographs.

Tate, in collaboration with Delfina Foundation, invites applications for the Brooks International Fellowship Programme 2027. Now in its thirteenth year, the programme will enable practitioners to work with Tate…

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…

“Childhood is a frightening place. Only when considered from a great distance, whether that be across space or time, can it appear carefree and idyllic. Because growing up is always marked by changes that cannot be controlled...

Inferno & Paradiso is an immersive slide-projection exhibition created by Alfredo Jaar, one of the most socially active artists of our day. For this show, Jaar selected 20 contemporary reportage photographers and asked each of them to choose two images from their archives...

Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…

Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.