Angela Davis Johnson creates paintings, public art installations, and ritual performances to examine the technologies of black people, in particular black women/femme. (more…)
Over the past fifteen years, Berger’s practice has encompassed a spectrum of activity, pursuing a rigorous investigation of the many ways in which the exhibition site can be repurposed. He maintains an interest in abstract and experimental forms of nonfiction, including embodied biography and portraiture, as rendered through the creation of large scale, narrative based exhibitions made from both constructed and found objects. He has presented solo installation projects at the Carpenter Center for the Arts, Harvard University, Cambridge, MA; the Busan Biennial, South Korea; Vox Populi, Philadelphia; Participant, Inc., Maccarone, Karma, and Grimm-Rosenfeld Gallery, all New York; Frieze Projects, London; Adams and Ollman, Portland; and VEDA, Florence.
His collaborative and curatorial projects have been presented at venues including MOCA, Los Angeles; The Hebbel Theater, Berlin; and The Queens Museum of Art, Participant Inc., and Performance Space 122, New York, among others. His current project, The Store, is on view at the Aspen Art Museum through 2021. From 2013–2016, Berger served as Director of 80WSE Gallery at NYU, where he mounted a wide range of major exhibitions and collaborative projects presenting the work of Ellen Cantor, Bob Mizer, Printed Matter, James Son Ford Thomas, Michael Stipe, Vaginal Davis, Susanne Sachsse, and xiu xiu, among others. He is a Clinical Associate Professor in the Department of Art and Art Professions at New York University.
Angela Davis Johnson creates paintings, public art installations, and ritual performances to examine the technologies of black people, in particular black women/femme. (more…)
From the Black Sea, in foggy weather, we navigate along the Bosphorus towards the Golden Horn. From one side of the strait to the other, white marble palaces appear as if emerging from a dream. (more…)
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
Born in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.
UPHA Made in Ukraine is the first book published by BOOKSHA. The work on the project started in 2017. The book is the result of creative work by the participants of the Ukrainian Photographic Alternative group. (more…)
This year, and for the first time, the opening of the Horst exhibition, titled The Act of Breathing, is coinciding with the three-day Horst Arts & Music festival, from April 29 – May 1, 2022. After the festival weekend, the exhibition reopens from May 12 – July 31, 2022. (more…)
Every summer since 1970, over the course of more than forty exhibitions at various of the city’s exceptional heritage sites, the Rencontres d’Arles has been a major influence in disseminating the best of world photography (more…)
My earliest memory of Ukraine is like a snow globe where a simple shake spreads the tiny sequins into the atmosphere, silver flakes swarming slowly in the confined sky, covering the entire landscape. (more…)
First gaining attention in the 1960s with his exuberant portraits and landscapes, David Hockney remains one of the most celebrated British artists of his generation. He is also a key contributor to the development of art in Los Angeles, one of his adopted homes. (more…)