Letícia Ramos’s artistic research focuses on creating photographic apparatus adequate for capturing and reconstructing movement and presenting it through video, photography and installation. With a particular interest in the science of fiction, she developed complex geographical novels in some of her series, such as ERBF, Bitácora and Vostok. Chance, as well as experimentation with photography and the artistic process, are directions which can be seen in her work.
Her works have been exhibited in art spaces such as the Tate Modern, the Pivô – Art and Research Center, São Paulo, Itaú Cultural, São Paulo, the São Paulo Cultural Center, Parque Lage, Rio de Janeiro, the Berardo Collection Museum, Lisbon, the Tomie Ohtake Institute, São Paulo, and CAPC – Museum of Contemporary Art, Bordeaux, France.
In 2014, she was awarded the Moreira Salles Institute Photography Grant, and used it to develop a research called “MICROFILM”, which ended up winning the BES Photo international award. She received the Video Art Prize, given by the Joaquim Nabuco Foundation, for the development of a new project called GRÃO [GRAIN].
She was one of the finalists of PIPA 2015 Award and was nominated again for PIPA 2016.
She recently received the Arts Grant of Botín Foundation in Spain for the development of the project Historia Universal de los Terremotos.
Her works belongs to the collections of MAM – Museum od Modern Art in São Paulo, do MAM Museum of Modern Art in Rio de Janeiro, of Itaú Culltural in Sao Paulo of Fundação Joaquim Nabuco, of Fundação Vera Chaves Barcellos, of MAC Museum of Contemporary Art in Rio Grande do Sul, of Instituto Moreira Salles, of Videobrasil Cultural Association and of Nouveau Musée National in Monaco.
Letícia Ramos lives and works in São Paulo, Brazil.
Letícia Ramos’s artistic research focuses on creating photographic apparatus adequate for capturing and reconstructing movement and presenting it through video, photography and installation. With a particular interest in the science of fiction, she developed complex geographical novels in some of her series, such as ERBF, Bitácora and Vostok. Chance, as well as experimentation with photography and the artistic process, are directions which can be seen in her work.
Her works have been exhibited in art spaces such as the Tate Modern, the Pivô – Art and Research Center, São Paulo, Itaú Cultural, São Paulo, the São Paulo Cultural Center, Parque Lage, Rio de Janeiro, the Berardo Collection Museum, Lisbon, the Tomie Ohtake Institute, São Paulo, and CAPC – Museum of Contemporary Art, Bordeaux, France.
In 2014, she was awarded the Moreira Salles Institute Photography Grant, and used it to develop a research called “MICROFILM”, which ended up winning the BES Photo international award. She received the Video Art Prize, given by the Joaquim Nabuco Foundation, for the development of a new project called GRÃO [GRAIN].
She was one of the finalists of PIPA 2015 Award and was nominated again for PIPA 2016.
She recently received the Arts Grant of Botín Foundation in Spain for the development of the project Historia Universal de los Terremotos.
Her works belongs to the collections of MAM – Museum od Modern Art in São Paulo, do MAM Museum of Modern Art in Rio de Janeiro, of Itaú Culltural in Sao Paulo of Fundação Joaquim Nabuco, of Fundação Vera Chaves Barcellos, of MAC Museum of Contemporary Art in Rio Grande do Sul, of Instituto Moreira Salles, of Videobrasil Cultural Association and of Nouveau Musée National in Monaco.
Letícia Ramos lives and works in São Paulo, Brazil.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.