Peter Bialobrzeski studied Politics and Sociology before he became a photographer for a local paper in his native Wolfsburg, Germany. He travelled extensively in Asia before he went back to study photography at the Folkwangschule in Essen and the LCP in London. In the last seventeen years he has published seventeen books. His work has been exhibited in Europe, USA, Asia, Africa and Australia. He won several awards including the prestigious World Press Photo Award 2003 and 2010.
Since 2002 Peter is a regular Professor for photography at the University of the Arts in Bremen, Germany. Furthermore he runs workshops around the world. He is represented by Laurence Miller Gallery in New York, LA Galerie in Frankfurt, Germany and also shows with Robert Morat Gallery in his hometown Hamburg, as well as at m97 Gallery in Shanghai. In 2012 he was honored with the Erich Salomon Award by the German Society of Photographers (DGPh).
Peter Bialobrzeski studied Politics and Sociology before he became a photographer for a local paper in his native Wolfsburg, Germany. He travelled extensively in Asia before he went back to study photography at the Folkwangschule in Essen and the LCP in London. In the last seventeen years he has published seventeen books. His work has been exhibited in Europe, USA, Asia, Africa and Australia. He won several awards including the prestigious World Press Photo Award 2003 and 2010.
Since 2002 Peter is a regular Professor for photography at the University of the Arts in Bremen, Germany. Furthermore he runs workshops around the world. He is represented by Laurence Miller Gallery in New York, LA Galerie in Frankfurt, Germany and also shows with Robert Morat Gallery in his hometown Hamburg, as well as at m97 Gallery in Shanghai. In 2012 he was honored with the Erich Salomon Award by the German Society of Photographers (DGPh).
Bringing together paintings and drawings from Howell’s Series 10, the exhibition examines a question that sustained his practice for decades: how much difference is necessary for something to become visible?
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.