We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
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Victoria Nazarova
photographer
I’m a self-taught photographer based in Saint Petersburg, Russia.
In 2005 went to college taking major in psychology, but by the end of the 4th year of my studies my interest in photography evolved and strait after graduating I took a job at a local photo studio first as an assistant, later as one of the photographers.
Since then I also started working as a freelance photographer shooting mostly reportage and portraits and taking part in various international photo projects.
My personal work for last 3 years is strongly connected to my traveling and mostly contains series of landscape shots. I’m fascinated by the opportunity to capture something that is completely out of my ability to control, but also demanding full intense attention.
Select exhibits and honors include “Water.Snow.Ice”, Reydarfjordur, Iceland, 2010, “Murmur”. Saint Petersburg, Russia, 2011, “Trip”. Saint Petersburg, Russia, 2013, “Beginning” film festival. Saint Petersburg, Russia, 2014.
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Helene Schmitz: Thinking Like a MountainDec 14, 2019 – Mar 15, 2020
“I wanted to portray the violent transformation of nature in the European periphery. I have experienced that the concept of wilderness, and virgin land untouched by humans, has disintegrated.” –Helene Schmitz
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Why Should I Hesitate / William KentridgeAug 25, 2019 – Mar 23, 2020
Why Should I Hesitate: Putting Drawings to Work is a major exhibition by internationally acclaimed artist, William Kentridge. The exhibition will be the largest exhibition held in Africa in over a decade and will be hosted simultaneously in two parts, alongside Norval Foundation‘s Why Should I Hesitate: Sculpture. (more…)
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On the Peripheryby Sinziana Velicescu
Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
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Collecting PracticesOct 12, 2019 – Nov 8, 2020
In 2019, the Botín Centre celebrates the 25th anniversary of Itineraries, the annual exhibition that displays the work of the artists awarded the Botín Foundation’s Visual Arts Grant each year, which has been running since 1993.
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The American Document / Part IIFractured States / Peter van Agtmael
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
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Towards No Earthly Pole / Julian CharrièreJan 31 – Mar 21, 2020
Filmed at night, the dazzling landscapes captured are dramatically lit by a spotlight carried on a drone; as light tracks across the dark terrain, incredible shapes and tonalities are revealed. Sean Kelly Gallery is pleased to present Towards No Earthly Pole, Julian Charrière (more…)
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Southern Rites / Gillian LaubVarious engagements / 2020
This small town symbolized the archetype of pastoral American life. Yet this idyllic place was also held hostage by a dark past, manifesting in the racial tensions that scar much of American history.
