
The founder and main promoter of the German Expressionist group Die Brücke (The Bridge), Ernst Kirchner started out as a self-taught artist while still studying architecture at the Technische Hochschule in Dresden, where he was awarded the 1905 diploma. In 1904 he moved temporarily to Munich, where he worked in the studio of Wilhelm Debschitz and Hermann Obrist and became acquainted with the woodcut technique through Dürer’s work. Back in Dresden, in June 1905 he was involved – together with Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff — in creating the revolutionary minded and intensely active Brücke group. His interest in primitive art, which he viewed at Dresden’s Ethnographic Museum, was reflected in both his paintings and the furniture and murals he produced for the studio he shared with Heckel in a former butcher’s shop in the working class district of Friedrichstadt.
The founder and main promoter of the German Expressionist group Die Brücke (The Bridge), Ernst Kirchner started out as a self-taught artist while still studying architecture at the Technische Hochschule in Dresden, where he was awarded the 1905 diploma. In 1904 he moved temporarily to Munich, where he worked in the studio of Wilhelm Debschitz and Hermann Obrist and became acquainted with the woodcut technique through Dürer’s work. Back in Dresden, in June 1905 he was involved – together with Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff — in creating the revolutionary minded and intensely active Brücke group. His interest in primitive art, which he viewed at Dresden’s Ethnographic Museum, was reflected in both his paintings and the furniture and murals he produced for the studio he shared with Heckel in a former butcher’s shop in the working class district of Friedrichstadt.

“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Liam Young’s imaginary worlds take over various locations in the Barbican, inviting us to imagine what the future of humanity could look like, and the challenges and adventures to come.
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
NAPLES, Fla., July 28, 2026 – For the first time, collectors will be able to purchase officially licensed high‑quality art prints and canvas works based on the sculptures of Enrique Gomez de Molina on the Chimera & Co. online platform.