Lehmann Maupin
Mary Corse
Artist

Mary Corse (b. 1945, Berkeley, CA; lives and works in Los Angeles) is associated with the 1960s Light & Space Movement of southern California, and is primarily known for her minimalist, monochromatic paintings, which explore the relationship between materiality and perception.

Corse received her BFA from the University of California in 1963, and her MFA from the Chouinard Art Institute in 1968. 2018 opens an exhibition at Dia:Beacon, Beacon, NY and her first museum survey at the Whitney Museum of American Art, New York, traveling to the Los Angeles County Museum of Art.

Select group exhibitions featuring her work include Light and Space, Seattle Art Museum, Seattle, WA, (2015); Venice in Venice, a collateral exhibition curated by NYEHAUS in association with the J. Paul Getty Museum at the 54th Venice Biennale (2011); Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970, J. Paul Getty Museum, Los Angeles (2011). Corse’s work is in numerous international public and private collection, including the Fondation Beyeler, Basel, Switzerland; Frederick R. Weisman Art Foundation Collection; Seattle Art Museum; Solomon R. Guggenheim Museum, New York; and Whitney Museum of American Art, New York.

Corse is the recipient of the Cartier Foundation Award (1993); the National Endowment for the Arts Fellowship (1975); the Theodoran Award, Solomon R. Guggenheim Museum (1971); and the New Talent Award, Los Angeles County Museum of Art (1967).

[Kayne Griffin Corcoran]

Mary Corse
Artist

Mary Corse (b. 1945, Berkeley, CA; lives and works in Los Angeles) is associated with the 1960s Light & Space Movement of southern California, and is primarily known for her minimalist, monochromatic paintings, which explore the relationship between materiality and perception.

Corse received her BFA from the University of California in 1963, and her MFA from the Chouinard Art Institute in 1968. 2018 opens an exhibition at Dia:Beacon, Beacon, NY and her first museum survey at the Whitney Museum of American Art, New York, traveling to the Los Angeles County Museum of Art.

Select group exhibitions featuring her work include Light and Space, Seattle Art Museum, Seattle, WA, (2015); Venice in Venice, a collateral exhibition curated by NYEHAUS in association with the J. Paul Getty Museum at the 54th Venice Biennale (2011); Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970, J. Paul Getty Museum, Los Angeles (2011). Corse’s work is in numerous international public and private collection, including the Fondation Beyeler, Basel, Switzerland; Frederick R. Weisman Art Foundation Collection; Seattle Art Museum; Solomon R. Guggenheim Museum, New York; and Whitney Museum of American Art, New York.

Corse is the recipient of the Cartier Foundation Award (1993); the National Endowment for the Arts Fellowship (1975); the Theodoran Award, Solomon R. Guggenheim Museum (1971); and the New Talent Award, Los Angeles County Museum of Art (1967).

[Kayne Griffin Corcoran]

  • Dustin Shum: BLOCKS
    Publication
    Inertia Books
    International
    Public housing has recently been portrayed as a carrier of good neighbourhood that is vanishing in our society and the public has romanticised its image. However, the public has neglected the many real problems faced by people living in these flats: low income, jobless, disability, family problems, new migrants, ageing population and so on. Meanwhile, meaningless renovations have been carried out in old public housing estates but no improvements have been made on facilities that that are really in need. (more…)
  • Shuang Li: I’m Not
    May 1 – Aug 25, 2024
    Swiss Institute
    New York, USA
    Swiss Institute (SI) presents I’m Not, the first institutional solo exhibition by artist Shuang Li, featuring newly commissioned sculpture and video installations. Li’s work explores how language, relationships and identities are formed and mediated through screens and the internet. For I’m Not, Li delves into her own life as a fan to ruminate on how these technologies inform the social bonds and materiality of fandom (more…)
  • A Real Woman
    Jul 15 – Aug 12, 2024
    The Gallery / Artichoke
    Various Locations, UK
    “When approaching the subject ‘A Real Woman’, I felt it crucial that this was not a question to be answered, but rather a statement to be considered. There is no single or simple definition of a woman. I hope the different perspectives presented by our artists will inspire viewers to consider the plurality of the womanhood, and thereby encourage understanding and empathy towards those whose lives are shaped differently from their own. (more…)
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