The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
Mina Raven is an organization working with public and private institutions to produce and promote photography between UK and France.
Founded in 2018 by Sandrine Servent, Mina Raven aims to inform and inspire the widest audience by curating exhibitions, talks, workshops and collaborations with bold and exciting artists from today.
Programs have included panel discussion and various exhibitions.

Mina Raven is an organization working with public and private institutions to produce and promote photography between UK and France.
Founded in 2018 by Sandrine Servent, Mina Raven aims to inform and inspire the widest audience by curating exhibitions, talks, workshops and collaborations with bold and exciting artists from today.
Programs have included panel discussion and various exhibitions.

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.