The United Nations Educational, Scientific, and Cultural Organisation, UNESCO, has just granted its patronage to maltabiennale.art, which will be held in Malta for the first time in the coming year. UNESCO’s patronage is considered as a high form of recognition for this art festival (more…)

Two of the most original artists of the postwar period, Louise Bourgeois (1911–2010) and Jenny Holzer (b. 1950), meet in this exceptional artist’s book conceived and designed by Holzer to accompany the Bourgeois exhibition she has curated at the Kunstmuseum Basel. (more…)

For 130 years, Paris has been a centre for the production of original graphic works of art. As early as the late 19th century, Henri de Toulouse-Lautrec or Théophile-Alexandre Steinlen created prints and original lithographic posters here, which were enthusiastically received and passionately collected by their contemporaries. (more…)

The catalogue Friedrich Einhoff. 100+ includes 100 works on paper by the Hamburg-based artist Friedrich Einhoff (1936–2018) as well as 32 further works on canvas dating from various periods of his work. Einhoff’s pieces, which employ a wide range of painting and drawing techniques, all revolve around the central image of humankind (more…)

Mysterious shadows lurking in various scenes in life; we catch a glimpse and lose sight of them in the next moment, somehow still able to decipher their physical form. Taking place in an underground exhibition venue, Jam Wu: Shadow Puppeteer employs shadows as puppets, rendering the core of subconsciousness in the human body. (more…)

To what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of crocus… –Edna St. Vincent Millay (more…)

After opening its doors to the public on the occasion of five in situ previewing programmes in 2019 (extraORDINAIRE), 2020 (EN-QUÊTE), 2021 (Charles de Gaulle under the eye of the photographers and Perspectives), and in the spring of 2023 (Spring at the Institut), the Institut pour la photographie is presenting its sixth and final preview program (more…)

When asked about his decision to paint almost nothing but animals, Gilles Aillaud replied “because I like them”. Contemporaneous with early Pop Art works, with their varying degrees of fascination with consumer products and mass communication, the paintings of Gilles Aillaud (who died in 2005) have nothing exotic about them. (more…)

Intimate confession is a project is a group exhibition that considers transmission, intergenerational life, and cultural inheritance through the prism of intimacy and infrastructure. Through the work of eleven artists spanning generations and geographies, the exhibition thinks through infrastructure as an intimate holding cell (more…)