Amy Sillman: Mostly Drawing
Jan 26 – Mar 3, 2018

 Amy Sillman

Gladstone Gallery (Gladstone 64) is pleased to present Mostly Drawing, an exhibition of new works by Amy Sillman. This show marks the artist’s first exhibition with Gladstone Gallery.

As the show’s title self-referentially indicates, this exhibition is comprised primarily of works on paper incorporating silkscreened, painted, and drawn elements that continue Sillman’s decades-long examination into the ideological underpinnings of the term Drawing itself. In each work, the artist employs formal dualities from the art historical canon – namely, narration versus abstraction, color versus line, flat versus recessive space, and painting versus drawing – not as a means to a conceptual end, but rather as a method to push these painterly concerns to their extremes. The works on view therefore defy easy categorization, as each one appears to vacillate between overt abstraction and coded figuration, between traditional painting and comic illustration. Yet this simultaneous presentation of dissimilar components does not imply incompatibility. The heterogeneity evident in every composition invites the viewer to resist the pictorial resolutions that one seeks in finished artworks, and instead revel in the liminal space that Sillman creates using her own visual language.

 

 Amy Sillman

This indulgence in multeity evolves from the artist’s process. Refuting the classic dichotomy of fast drawings and slow paintings, Sillman’s works do not exist within a fixed chronology of creation. Some compositions are made in a day, others in a week, and some over the course of months. What is of primary concern to Sillman is the examination of the hierarchy between media that seemingly exists in artmaking. By refusing to acknowledge any media-specific pecking order within each picture – Are these drawings? Prints? Paintings? Or none of the above? – the artist generates works that encourage an interrogation of art production that is both ethical in nature and engaging in situ.

 

 Amy Sillman

In relation to their installation at Gladstone 64, Sillman’s excited, overflowing compositions also play with the comfort connoted by the townhouse setting of the gallery. The dialogue between work and location, while seemingly jarring, invites a sense of unease to coexist with the traditional prettiness of modernist architecture. Through this gesture, the artist creates a setting wherein the sensation of comfortlessness is inverted to seem not only allowable, but also desirable.

Two events celebrating the recent publication of Amy Sillman: The ALL-OVER (Dancing Foxes Press, Mousse and Portikus; 2017) will be held in conjunction with Mostly Drawing: the first, a book signing at Gladstone 64, on January 27 from 3-5pm; the second, a film screening and signing at Metrograph on March 4.

 

 Amy Sillman

Amy Sillman was born in 1955 in Detroit, Michigan, and currently lives and works in New York. Her exhibitions have included Institute of Contemporary Art, Boston and her works are held in the public collections of Art Institute of Chicago; Brooklyn Museum, New York; Metropolitan Museum of Art, New York; Museum of Modern Art, New York; National Gallery of Art, Washington D.C.; and the Whitney Museum of American Art, New York.

 

Amy Sillman: Mostly Drawing
January 26 – March 3, 2018, Gladstone Gallery / Gladstone 64
Please visit the exhibition page >

30 Under 30 Women Photographers / 2023 TAW
Torino Art Week / Exhibition
Presented for Torino Art Week 2023 and in collaboration with Recontemporary in Turin, Artpil proudly announces the 2023 exhibition...
+
Torino Art Week 2023
Prescription .144
Torino Art Week 2023 opens the first week of November with events that will fill the city with works...
+
Antoni Tàpies. The Practice of Art
Sep 15, 2023 – Jan 7, 2024
A self-taught artist during the interwar period, Tàpies reflected on the human condition, his historical situation and the artistic...
+
Dorothea Lange. Tales of Life and Work
Prescription .143
Dorothea Lange's photography, now nearly a hundred years later, continues to resound in its portrayal of a time and...
+
Paris Photo 2023
November 9–12, 2023
Paris Photo is the largest art fair dedicated to the photographic medium and is held each November in the...
+
REGENERATE
Jun 23 – Dec 10, 2023
With REGENERATE as its theme, the festival brings together works that explore the changes modern society must face, seeing...
+
Joel Sternfeld: American Prospects
Sep 28, 2023 – Jan 21, 2024
American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope....
+
ARTPIL / Prescription .142
White heat. A Green River.
A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have...
+
30 Under 30 Women Photographers / 2023 TAW
Torino Art Week / Exhibition
Presented for Torino Art Week 2023 and in collaboration with Recontemporary in Turin, Artpil proudly announces the 2023 exhibition...
+
Torino Art Week 2023
Prescription .144
Torino Art Week 2023 opens the first week of November with events that will fill the city with works...
+
Antoni Tàpies. The Practice of Art
Sep 15, 2023 – Jan 7, 2024
A self-taught artist during the interwar period, Tàpies reflected on the human condition, his historical situation and the artistic...
+
Dorothea Lange. Tales of Life and Work
Prescription .143
Dorothea Lange's photography, now nearly a hundred years later, continues to resound in its portrayal of a time and...
+
Paris Photo 2023
November 9–12, 2023
Paris Photo is the largest art fair dedicated to the photographic medium and is held each November in the...
+
REGENERATE
Jun 23 – Dec 10, 2023
With REGENERATE as its theme, the festival brings together works that explore the changes modern society must face, seeing...
+
Joel Sternfeld: American Prospects
Sep 28, 2023 – Jan 21, 2024
American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope. Its fears are expressed in beauty, its sadnesses in irony.
+
ARTPIL / Prescription .142
White heat. A Green River.
A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have lost, days that outgrow
+
  • Mai Ling: Not Your Ornament
    Sep 15 – Nov 12, 2023
    Secession
    Wien, Austria

    Founded in Vienna in 2019, Mai Ling is an artists’ collective and association dedicated to facilitating dialogues about experiences of racism, sexism, homophobia, and any kind of prejudgment, particularly against Asian FLINT* (women*, lesbian, inter*, non-binary, and trans*). Rooted in solidarity against patriarchal and racial discrimination, the group offers a protected space and growing network to give voice to the many individuals affected by such discrimination and foster new forms of collaboration. (more…)

  • Emilio Prini: …E Prini
    Oct 27, 2023 – Mar 31, 2024
    MACRO
    Rome, Italy

    …E Prini is the most extensive exhibition ever dedicated to the work of Emilio Prini (Stresa, 1943–Rome, 2016). Comprising of over 250 works, the exhibition project, realized in collaboration with the Archivio Emilio Prini, is conceived according to a chronological path which spans fifty years, from 1966 to 2016, to reconstruct the work of one of Italy’s most complex and enigmatic artistic figures from the recent past, whose work has not been fully surveyed to this day. (more…)