Annely Juda Fine Art
London

Annely Juda Fine Art is based in London and represents contemporary British, European and International artists. The gallery also exhibits masters of the 20th-century avant-garde, specializing in Russian Constructivism, Bauhaus and De Stijl.

Since its foundation in 1960 the gallery has presented a continual program of its own artists as well as important themed exhibitions such as The Non-Objective World exhibitions (1970–), From Figuration to Abstraction (1986), 1945: The End of the War (1995), The Thirties: Influences on Abstract Art in Britain (1998), American Beauty (2002) and The Great Experiment: Russian Art. Homage to Camilla Gray (2009).

Sheila Girling (bio, top left), David Hockney, Alan Green, David Nash, Sarah Oppenheimer, François Morellet, Sheila Girling, Catherine Lee
Annely Juda Fine Art
London

Annely Juda Fine Art is based in London and represents contemporary British, European and International artists. The gallery also exhibits masters of the 20th-century avant-garde, specializing in Russian Constructivism, Bauhaus and De Stijl.

Since its foundation in 1960 the gallery has presented a continual program of its own artists as well as important themed exhibitions such as The Non-Objective World exhibitions (1970–), From Figuration to Abstraction (1986), 1945: The End of the War (1995), The Thirties: Influences on Abstract Art in Britain (1998), American Beauty (2002) and The Great Experiment: Russian Art. Homage to Camilla Gray (2009).

Sheila Girling (bio, top left), David Hockney, Alan Green, David Nash, Sarah Oppenheimer, François Morellet, Sheila Girling, Catherine Lee
  • Shuang Li: I’m Not
    May 1 – Aug 25, 2024
    Swiss Institute
    New York, USA
    Swiss Institute (SI) presents I’m Not, the first institutional solo exhibition by artist Shuang Li, featuring newly commissioned sculpture and video installations. Li’s work explores how language, relationships and identities are formed and mediated through screens and the internet. For I’m Not, Li delves into her own life as a fan to ruminate on how these technologies inform the social bonds and materiality of fandom (more…)
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