Alan Reynolds / A Small Retrospective
February 14 – April 18, 2019

Alan Reynolds / The Village Fair (1952)

Annely Juda Fine Art is pleased to present a retrospective of works by Alan Reynolds from 1951 to 2014, showing his journey as an artist from early figurative landscapes via later abstract paintings to white reliefs.

It is not unusual for an artist to find his true voice mid-life. Barnett Newman claimed that he finished his ‘first painting’ on his fifty-third birthday, having already been painting for a quarter of a century. Perhaps especially for artists growing up after the first revolutions of modern art, there was a need to feel their way forward among a confusion of options. This is more unusual in the case of an artist, such as Alan Reynolds, who is loudly celebrated from the outset and who then turns his back on popularity, quietly to pursue his inner convictions; he spent his lifetime investigating the interplay between horizontal and vertical, shadow and light.

 

Alan Reynolds / Lyric Abstract (1958-59)

Alan Reynolds / Yellow, Green and Black Forms (1959)

Alan Reynolds / The Poet Goes Poaching (1951)

Alan Reynolds / Untitled (1959)

Alan Reynolds / Forms Red, Green and Orange (1960)

Alan Reynolds / Crystalline Landscape (1958)

Alan Reynolds / Forms on Dark Ovoid c.1962

Alan Reynolds / Structure – July (1964)

For fifty years Alan Reynolds has been described as an abstract or ‘concrete’ artist. At the beginning of his career he was often referred to as a landscape painter, from which his later abstract paintings developed. However, in 1967 he abandoned painting entirely and began to create constructed reliefs, which led him to make only white reliefs, tonal drawings and woodcuts for the last forty years of his life.

 

Alan Reynolds / Relief (1962)

Alan Reynolds / Modular Construction (1977-1979)

Alan Reynolds / Poised Forms (Mini) (1972)

Alan Reynolds / Sirenes – Hommage a Debussy No.II (1968)

Alan Reynolds / Blue Structure (1976), Modular Study (103) (1997)

Alan Reynolds / Modular Study – Mirror 3 1984

Alan Reynolds / Structures – Group IV (16) (2000), Structure No.1 W.E (1977)

This exhibition includes work from 1951, the beginning of his career, and goes up to Reynolds’s last works from 2014. Some of the works in this exhibition have never been shown before and the artist’s development to become more and more abstract can be followed through the work over the years. The exhibition is separated between the two floors of the gallery with the earlier, more figurative and abstract paintings on the third floor and the later reliefs, drawings and prints on the fourth floor.

 

Alan Reynolds / A Small Retrospective: Works from 1951-2014
February 14 – April 18, 2019 / Annely Juda Fine Art
Visit the exhibition page >

Two Years into Ukraine
ARTPIL / Prescription .147
More terrible is love in Kyiv than magnificent Venetian passions. Butterflies fly light and maculate into bright tapers. Dead...
+
Federica Patera & Andrea Sbra Perego
A Double Interview
With our work, we aim to shape the creative process: what is represented is not the content of the...
+
Sony World Photography Awards 2024
Winners & Finalists Announced
This diverse selection of photographs in this annual award is a window to the world, revealing fascinating points of...
+
30 Under 30 Women Photographers / 2024
Selections Announced
Artpil proudly announces the 30 Under 30 Women Photographers 2024. For its 15th Edition, this annual selection continues to...
+
BAM Winter/Spring 2024
Jan 15 – Jun 9, 2024
Experience the power of artistic community with BAM’s program. As bands play, dancers whirl, voices raise, and audience members...
+
WAR, and the Declaration of Human Rights
75 year Anniversary
Recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family...
+
Nan Goldin: This Will Not End Well
Various Engagements / 2023–2026
Nan Goldin is known not only for her talent and visionary career, but also for her uncompromising social commitment....
+
74th Berlin International Film Festival
February 15–25, 2024
The Berlinale is a place for dialogue and the exchanging of ideas. The international situation once again prompts us...
+
Two Years into Ukraine
ARTPIL / Prescription .147
More terrible is love in Kyiv than magnificent Venetian passions. Butterflies fly light and maculate into bright tapers.
+
Federica Patera & Andrea Sbra Perego
A Double Interview
With our work, we aim to shape the creative process: what is represented is not the content of the...
+
Sony World Photography Awards 2024
Winners & Finalists Announced
This diverse selection of photographs in this annual award is a window to the world, revealing fascinating points of...
+
30 Under 30 Women Photographers / 2024
Selections Announced
For its 15th Edition, Artpil proudly announces the 30 Under 30 Women Photographers for 2024.
+
BAM Winter/Spring 2024
Jan 15 – Jun 9, 2024
Experience the power of artistic community with BAM’s program. As bands play, dancers whirl, voices raise, and audience members...
+
WAR, and the Declaration of Human Rights
75 year Anniversary
Recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family...
+
Nan Goldin: This Will Not End Well
Various Engagements / 2023–2026
Nan Goldin is known not only for her talent and visionary career, but also for her uncompromising social commitment....
+
74th Berlin International Film Festival
February 15–25, 2024
The Berlinale is a place for dialogue and the exchanging of ideas. The international situation once again prompts us...
+
  • Nasan Tur: Hunted
    May 26, 2023 – Apr 1, 2024
    Berlinische Galerie
    Berlin, Germany

    Nasan Tur explores the political and social conditions that define our times. His works are experimental arrangements that draw attention to ideologies, social norms and behavioural codes and expand our options for individual action. To this end, he examines statements, gestures and images found in the media or in the public space and distils them into miniatures reflecting current social crises and discourse. (more…)

  • Tyrone Williams & Madison Dinelle: Chiasm
    Publication
    Ceremony Press
    International

    Many photographers have experimented with the ‘Call & Response’ model of collaboration, where images function like links in a chain – a visual duel, or game of chess. This book, in which these two photographers pair up their photographs, feels more to me like a matching card game. Chiasm describes in biology the point at which two filamentous structures like a tendon or nerve diagonally intersect in an X (more…)