ARTPIL / Prescription .068
Yes and yes, or no

 

The trees outside have lost their foliage. We fall back on the clocks an hour late. And outside a leaf falls. A falling leaf… What does this really mean? Intent is for eyes. Motive, for fingers. We are the puppets of contingency, the frayed sutures of our divided will. Yes and yes, or no – as each stitch informs the binary code of our discontent. I do not think they will hear my speech to the very end…

–from I, Faust

Welcome to the .068 edition of Prescriptions. Here is our review of the week in the arts.

 

Ian Wallace

Power of Language

The dialogue between image and text has become closer since the early 20th century, with qualitative changes: language has become an integral part of visual art on the levels of form and content. On view at Museum der Moderne Salzburg through April 7, 2019.

 

Juri Okas

There and Back Again

This exhibition is about a time characterized by the mobility of people, goods and work, but also by political tensions, with themes surrounding traveling, migration, place and the sense of belonging. Through March 24, 2019 at Kiasma.

 

Heidi Bucher

Heidi Bucher

This exhibition brings together a significant body of Heidi Bucher’s enigmatic works made during the last two decades of her artistic life and includes screenings of films that document her at work. Through December 9, 2018 at Parasol unit.

 

Concrete Lates x Hayward

Space Shifters

This major group exhibition brings together sculptures and installations that explore perception and space. Featuring 20 artists and spanning a period of roughly 50 years along with new commissions. At Hayward Gallery through January 6, 2019.

 

Naeem Mohaiemen

Turner Prize 2018

Tate Britain unveils an exhibition of work by the four artists shortlisted for Turner Prize 2018: Forensic Architecture, Naeem Mohaiemen, Charlotte Prodger and Luke Willis Thompson. On view at Tate Britain through January 6, 2019.

 

Boris Lurie

Boris Lurie: Pop-Art After the Holocaust

Boris Lurie created a unique symbolic language, in which authenticity and emotional tension went beyond the accepted norms of what is deemed appropriate, which became leitmotifs running through his works. Through February 3, 2019 at MOCAK.

 

Lisa Milroy

RECENT PROFILES

Boris Lurie, on exhibit with Pop-Art After the Holocaust at MOCAKHeidi Bucher’s work from the past two decades, Heidi Bucher, on view at Parasol unitNaeem Mohaiemen, one of the shortlisted for the 2018 Turner Prize at Tate Britain; and reintroducing Christina Kougioumtsidou, one of 30 Under 30 Women Photographers 2018 exhibiting together opening November 8, 2018 at Galerie Claude Samuel and December 13, 2018 at La Maison de la Photographie Lille.

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White heat. A Green River.
A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have...
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Oct 27, 2023 – Feb 18, 2024
The German-American artist Lyonel Feininger is a classic protagonist of modern art. The Schirn Kunsthalle is dedicating an extensive...
+
30 Under 30 Women Photographers / 2023 TAW
Torino Art Week / Exhibition
Presented for Torino Art Week 2023 and in collaboration with Recontemporary in Turin, Artpil proudly announces the 2023 exhibition...
+
Antoni Tàpies. The Practice of Art
Sep 15, 2023 – Jan 7, 2024
A self-taught artist during the interwar period, Tàpies reflected on the human condition, his historical situation and the artistic...
+
Torino Art Week 2023
Prescription .144
Torino Art Week 2023 opens the first week of November with events that will fill the city with works...
+
Dorothea Lange. Tales of Life and Work
Prescription .143
Dorothea Lange's photography, now nearly a hundred years later, continues to resound in its portrayal of a time and...
+
REGENERATE
Jun 23 – Dec 10, 2023
With REGENERATE as its theme, the festival brings together works that explore the changes modern society must face, seeing...
+
Joel Sternfeld: American Prospects
Sep 28, 2023 – Jan 21, 2024
American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope. Its fears are expressed in beauty, its sadnesses in irony.
+
ARTPIL / Prescription .142
White heat. A Green River.
A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have lost, days that outgrow
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  • Adam Pendleton: To Divide By
    Sep 22, 2023 – Jan 15, 2024
    Mildred Lane Kemper Art Museum
    St. Louis, USA

    “What is your name?” “Where are you from?” “How did you end up here?” “Can you feel it?” “Does it hurt?” With these and other questions, the American artist Adam Pendleton’s solo exhibition at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-response network that articulates a sense of history as fragmented poetics. The exhibition will showcase a polyvocal assemblage of new and recent paintings, drawings, and video portraits that together reveal Pendleton’s interest in creating a conversation between mediums, as well as his belief in abstraction’s capacity to destabilize and disrupt. (more…)