Hetzler Marfa is pleased to announce Indoor Paintings, a solo exhibition of works by Grace Weaver (b. 1989, Vermont) made during a residency in Marfa, Texas. The exhibition includes a presentation of oil on canvas works in the main gallery and Weaver’s largest works on paper to date in the artist studio. (more…)

Opening September 30 at the Miller Institute of Contemporary Art, Impossible Music brings together sounds, scores, sculptures, video, and live performances to extend discourses on conceptual and experimental music and explore its intersections across different art forms. Marking the first joint curatorial collaboration of curator Candice Hopkins, artist, composer Raven Chacon, with curator, researcher, Stavia Grimani, the interdisciplinary group exhibition features work by boundary-defying composers, artists, (more…)

DIY by Anastasia Sosunova is an exhibition revolving around a video journal of a friends’ road trip to places of power in pursuit of transcendence and selfie spots, inventing a devotional DIY subculture as they go. A kind of pilgrimage exploring the ideas, symbols and values of one-man self-religion, in search of esoteric spirituality concealed behind DIY ideology and the tools that offer meaning to an otherwise chaotic world. (more…)

Marta Zgierska is a photographer who has developed a distinctive style that blends various opposites. The artist creates cool, aesthetically pleasing and formally sophisticated compositions in which images of abstracted objects or her own body convey emotional messages and metaphorically illustrate existential reflection. Zgierska’s broad liberal arts education makes her a keen interpreter of her own work. (more…)

A year. That’s how long it’s been since Karla Hiraldo Voleau’s exhibition Another Love Story first opened at the MEP in Paris in 2022. A year is also the timeframe of the story chronicled in that project – a love story personal to KHV, which shifts abruptly from its climax to its end when she discovers that X, her lover, is leading a double life – a revelation that prompts the artist to question her certainties. (more…)

Pilar Corrias is delighted to present a solo exhibition of new work by Christina Quarles this autumn. In this new body of work, Quarles continues to delve into notions of identity and representation, synthesising her study of drawing, experimental painting techniques and digital technology. Painted during the summer months, the light and colours of the L.A. sky bleed through Quarles’ palette. Lattice-like patterns and recognisable motifs such as swimming pools, sunsets and concentrated stripes are redeployed as intricate environments, rendering multiple layers of meaning within the work. (more…)

“With the collapse of the market economy, we begin to see the monuments of the bourgeoisie as ruins before they have even crumbled.” –Walter Benjamin

Following Bertrand Lavier and Anri Sala, Belgian artist Edith Dekyndt will take over the Passage display cases of the Bourse de Commerce. (more…)

The catalogue Friedrich Einhoff. 100+ includes 100 works on paper by the Hamburg-based artist Friedrich Einhoff (1936–2018) as well as 32 further works on canvas dating from various periods of his work. Einhoff’s pieces, which employ a wide range of painting and drawing techniques, all revolve around the central image of humankind (more…)

María Magdalena Campos-Pons: Behold is a monographic exhibition of a visionary voice in photography, immersive installation, painting, and performance. Spanning nearly four decades of visually engaging artworks, the exhibition explores Campos-Pons’s prescient and sensorial work – transporting viewers across geographies, mediums, and spiritual practices. (more…)